Combining Texts

All the ideas for 'works', 'Truth' and 'Art'

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35 ideas

1. Philosophy / F. Analytic Philosophy / 3. Analysis of Preconditions
In "if and only if" (iff), "if" expresses the sufficient condition, and "only if" the necessary condition [Engel]
3. Truth / A. Truth Problems / 5. Truth Bearers
Are truth-bearers propositions, or ideas/beliefs, or sentences/utterances? [Engel]
3. Truth / C. Correspondence Truth / 2. Correspondence to Facts
The redundancy theory gets rid of facts, for 'it is a fact that p' just means 'p' [Engel]
3. Truth / C. Correspondence Truth / 3. Correspondence Truth critique
We can't explain the corresponding structure of the world except by referring to our thoughts [Engel]
3. Truth / D. Coherence Truth / 1. Coherence Truth
The coherence theory says truth is an internal relationship between groups of truth-bearers [Engel]
3. Truth / D. Coherence Truth / 2. Coherence Truth Critique
Any coherent set of beliefs can be made more coherent by adding some false beliefs [Engel]
3. Truth / H. Deflationary Truth / 2. Deflationary Truth
Deflationism seems to block philosophers' main occupation, asking metatheoretical questions [Engel]
Deflationism cannot explain why we hold beliefs for reasons [Engel]
3. Truth / H. Deflationary Truth / 3. Minimalist Truth
Maybe there is no more to be said about 'true' than there is about the function of 'and' in logic [Engel]
5. Theory of Logic / D. Assumptions for Logic / 1. Bivalence
Deflationism must reduce bivalence ('p is true or false') to excluded middle ('p or not-p') [Engel]
11. Knowledge Aims / A. Knowledge / 4. Belief / a. Beliefs
The Humean theory of motivation is that beliefs may be motivators as well as desires [Engel]
11. Knowledge Aims / A. Knowledge / 4. Belief / c. Aim of beliefs
Our beliefs are meant to fit the world (i.e. be true), where we want the world to fit our desires [Engel]
11. Knowledge Aims / A. Knowledge / 4. Belief / d. Cause of beliefs
'Evidentialists' say, and 'voluntarists' deny, that we only believe on the basis of evidence [Engel]
12. Knowledge Sources / D. Empiricism / 3. Pragmatism
Pragmatism is better understood as a theory of belief than as a theory of truth [Engel]
13. Knowledge Criteria / C. External Justification / 5. Controlling Beliefs
We cannot directly control our beliefs, but we can control the causes of our involuntary beliefs [Engel]
17. Mind and Body / C. Functionalism / 1. Functionalism
Mental states as functions are second-order properties, realised by first-order physical properties [Engel]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Good art produces exaltation and detachment [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
The word 'beauty' leads to confusion, because it denotes distinct emotions [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 5. Natural Beauty
Our feeling for natural beauty is different from the aesthetic emotion of art [Bell,C]
We only see landscapes as artistic if we ignore their instrumental value [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
Visual form can create a sublime mental state [Bell,C]
21. Aesthetics / B. Nature of Art / 1. Defining Art
Art is the expression of an emotion for ultimate reality [Bell,C]
Aestheticism invites artist to create beauty, but with no indication of how to do it [Bell,C]
21. Aesthetics / B. Nature of Art / 2. Art as Form
Only artists can discern significant form; other people must look to art to find it [Bell,C, by Gardner]
Maybe significant form gives us a feeling for ultimate reality [Bell,C]
Significant form is the essence of art, which I believe expresses an emotion about reality [Bell,C]
'Form' is visual relations, and it is 'significant' if it moves us aesthetically; art needs both [Bell,C, by Feagin]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
The only expression art could have is the emotion resulting from pure form [Bell,C]
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
Mere copies of pictures are not significant - unless the copies are very exact [Bell,C]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
Art is distinguished by its aesthetic emotion, which produces appropriate form [Bell,C]
21. Aesthetics / C. Artistic Issues / 6. Value of Art
Aesthetic contemplation is the best and most intense mental state [Bell,C]
Aesthetic experience is an exaltation which increases the possibilities of life [Bell,C]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
Only artistic qualities matter in art, because they also have the highest moral value [Bell,C]
22. Metaethics / A. Ethics Foundations / 2. Source of Ethics / e. Human nature
We can't accept Aristotle's naturalism about persons, because it is normative and unscientific [Williams,B, by Hursthouse]
29. Religion / D. Religious Issues / 1. Religious Commitment / a. Religious Belief
Religion sees infinite value in some things, and irrelevance in the rest [Bell,C]