Combining Texts

All the ideas for 'Second Commentary on 'Isagoge'', 'Art' and 'Logic and Epistemology of Causal Relations'

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26 ideas

8. Modes of Existence / D. Universals / 5. Universals as Concepts
If universals are not separate, we can isolate them by abstraction [Boethius, by Panaccio]
10. Modality / B. Possibility / 1. Possibility
What is true used to be possible, but it may no longer be so [Wright,GHv]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Good art produces exaltation and detachment [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
The word 'beauty' leads to confusion, because it denotes distinct emotions [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 5. Natural Beauty
Our feeling for natural beauty is different from the aesthetic emotion of art [Bell,C]
We only see landscapes as artistic if we ignore their instrumental value [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
Visual form can create a sublime mental state [Bell,C]
21. Aesthetics / B. Nature of Art / 1. Defining Art
Art is the expression of an emotion for ultimate reality [Bell,C]
Aestheticism invites artist to create beauty, but with no indication of how to do it [Bell,C]
21. Aesthetics / B. Nature of Art / 2. Art as Form
Only artists can discern significant form; other people must look to art to find it [Bell,C, by Gardner]
Maybe significant form gives us a feeling for ultimate reality [Bell,C]
Significant form is the essence of art, which I believe expresses an emotion about reality [Bell,C]
'Form' is visual relations, and it is 'significant' if it moves us aesthetically; art needs both [Bell,C, by Feagin]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
The only expression art could have is the emotion resulting from pure form [Bell,C]
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
Mere copies of pictures are not significant - unless the copies are very exact [Bell,C]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
Art is distinguished by its aesthetic emotion, which produces appropriate form [Bell,C]
21. Aesthetics / C. Artistic Issues / 6. Value of Art
Aesthetic contemplation is the best and most intense mental state [Bell,C]
Aesthetic experience is an exaltation which increases the possibilities of life [Bell,C]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
Only artistic qualities matter in art, because they also have the highest moral value [Bell,C]
26. Natural Theory / C. Causation / 5. Direction of causation
p is a cause and q an effect (not vice versa) if manipulations of p change q [Wright,GHv]
We can imagine controlling floods by controlling rain, but not vice versa [Wright,GHv]
26. Natural Theory / C. Causation / 8. Particular Causation / a. Observation of causation
The very notion of a cause depends on agency and action [Wright,GHv]
We give regularities a causal character by subjecting them to experiment [Wright,GHv]
26. Natural Theory / C. Causation / 8. Particular Causation / c. Conditions of causation
We must further analyse conditions for causation, into quantifiers or modal concepts [Wright,GHv]
26. Natural Theory / D. Laws of Nature / 2. Types of Laws
Some laws are causal (Ohm's Law), but others are conceptual principles (conservation of energy) [Wright,GHv]
29. Religion / D. Religious Issues / 1. Religious Commitment / a. Religious Belief
Religion sees infinite value in some things, and irrelevance in the rest [Bell,C]