Combining Texts

All the ideas for 'Commentary on Sentences', 'Some Models for Implicature' and 'Critique of Judgement I: Aesthetic'

expand these ideas     |    start again     |     specify just one area for these texts


19 ideas

8. Modes of Existence / B. Properties / 8. Properties as Modes
Accidents always remain suited to a subject [Bonaventura]
9. Objects / E. Objects over Time / 6. Successive Things
Successive things reduce to permanent things [Bonaventura]
19. Language / A. Nature of Meaning / 6. Meaning as Use
Grice said patterns of use are often semantically irrelevant, because it is a pragmatic matter [Grice, by Glock]
19. Language / F. Communication / 5. Pragmatics / b. Implicature
Grice's maxim of quality says do not assert what you believe to be false [Grice, by Magidor]
Grice's maxim of manner requires one to be as brief as possible [Grice, by Magidor]
Grice's maxim of quantity says be sufficiently informative [Grice, by Magidor]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Kant gave form and status to aesthetics, and Hegel gave it content [Kant, by Scruton]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
The aesthetic attitude is a matter of disinterestedness [Kant, by Wollheim]
Only rational beings can experience beauty [Kant, by Scruton]
21. Aesthetics / A. Aesthetic Experience / 3. Taste
With respect to the senses, taste is an entirely personal matter [Kant]
When we judge beauty, it isn't just personal; we judge on behalf of everybody [Kant]
Saying everyone has their own taste destroys the very idea of taste [Kant]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
The beautiful is not conceptualised as moral, but it symbolises or resembles goodness [Kant, by Murdoch]
Kant saw beauty as a sort of disinterested pleasure, which has become separate from the good [Kant, by Taylor,C]
Beauty is only judged in pure contemplation, and not with something else at stake [Kant]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
The mathematical sublime is immeasurable greatness; the dynamical sublime is overpowering [Kant, by Pinkard]
The sublime is a moral experience [Kant, by Gardner]
21. Aesthetics / C. Artistic Issues / 5. Objectivism in Art
Aesthetic values are not objectively valid, but we must treat them as if they are [Kant, by Scruton]
The judgement of beauty is not cognitive, but relates, via imagination, to pleasurable feelings [Kant]