35 ideas
| 16665 | There are entities, and then positive 'modes', modifying aspects outside the thing's essence [Suárez] |
| 16666 | A mode determines the state and character of a quantity, without adding to it [Suárez] |
| 16667 | Substances are incomplete unless they have modes [Suárez, by Pasnau] |
| 17007 | Forms must rule over faculties and accidents, and are the source of action and unity [Suárez] |
| 16780 | Partial forms of leaf and fruit are united in the whole form of the tree [Suárez] |
| 16758 | The best support for substantial forms is the co-ordinated unity of a natural being [Suárez] |
| 16743 | We can get at the essential nature of 'quantity' by knowing bulk and extension [Suárez] |
| 16742 | We only know essences through non-essential features, esp. those closest to the essence [Suárez] |
| 22143 | Identity does not exclude possible or imagined difference [Suárez, by Boulter] |
| 22146 | Minor Real distinction: B needs A, but A doesn't need B [Suárez, by Boulter] |
| 22145 | Major Real distinction: A and B have independent existences [Suárez, by Boulter] |
| 22144 | Real Essential distinction: A and B are of different natural kinds [Suárez, by Boulter] |
| 22147 | Conceptual/Mental distinction: one thing can be conceived of in two different ways [Suárez, by Boulter] |
| 22148 | Modal distinction: A isn't B or its property, but still needs B [Suárez, by Boulter] |
| 22149 | Scholastics assess possibility by what has actually happened in reality [Suárez, by Boulter] |
| 7628 | Broad rejects the inferential component of the representative theory [Broad, by Maund] |
| 23928 | Good art produces exaltation and detachment [Bell,C] |
| 23922 | The word 'beauty' leads to confusion, because it denotes distinct emotions [Bell,C] |
| 23929 | We only see landscapes as artistic if we ignore their instrumental value [Bell,C] |
| 23921 | Our feeling for natural beauty is different from the aesthetic emotion of art [Bell,C] |
| 23923 | Visual form can create a sublime mental state [Bell,C] |
| 23927 | Aestheticism invites artist to create beauty, but with no indication of how to do it [Bell,C] |
| 23932 | Art is the expression of an emotion for ultimate reality [Bell,C] |
| 8115 | Only artists can discern significant form; other people must look to art to find it [Bell,C, by Gardner] |
| 23924 | Maybe significant form gives us a feeling for ultimate reality [Bell,C] |
| 23931 | Significant form is the essence of art, which I believe expresses an emotion about reality [Bell,C] |
| 20434 | 'Form' is visual relations, and it is 'significant' if it moves us aesthetically; art needs both [Bell,C, by Feagin] |
| 23934 | The only expression art could have is the emotion resulting from pure form [Bell,C] |
| 23925 | Mere copies of pictures are not significant - unless the copies are very exact [Bell,C] |
| 23926 | Art is distinguished by its aesthetic emotion, which produces appropriate form [Bell,C] |
| 23935 | Aesthetic experience is an exaltation which increases the possibilities of life [Bell,C] |
| 23933 | Aesthetic contemplation is the best and most intense mental state [Bell,C] |
| 22691 | Only artistic qualities matter in art, because they also have the highest moral value [Bell,C] |
| 16682 | Other things could occupy the same location as an angel [Suárez] |
| 23930 | Religion sees infinite value in some things, and irrelevance in the rest [Bell,C] |