Combining Texts

All the ideas for 'Concerning the Author', 'De Re and De Dicto' and 'An Essay in Aesthetics'

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24 ideas

1. Philosophy / E. Nature of Metaphysics / 7. Against Metaphysics
14767 The demonstrations of the metaphysicians are all moonshine [Peirce]
1. Philosophy / G. Scientific Philosophy / 3. Scientism
14764 I am saturated with the spirit of physical science [Peirce]
5. Theory of Logic / F. Referring in Logic / 1. Naming / a. Names
14650 Maybe proper names involve essentialism [Plantinga]
6. Mathematics / A. Nature of Mathematics / 3. Nature of Numbers / g. Real numbers
14648 Could I name all of the real numbers in one fell swoop? Call them all 'Charley'? [Plantinga]
9. Objects / A. Existence of Objects / 5. Individuation / d. Individuation by haecceity
14647 Surely self-identity is essential to Socrates? [Plantinga]
9. Objects / D. Essence of Objects / 9. Essence and Properties
14646 An object has a property essentially if it couldn't conceivably have lacked it [Plantinga]
10. Modality / A. Necessity / 4. De re / De dicto modality
14649 Can we find an appropriate 'de dicto' paraphrase for any 'de re' proposition? [Plantinga]
14642 Expressing modality about a statement is 'de dicto'; expressing it of property-possession is 'de re' [Plantinga]
14643 'De dicto' true and 'de re' false is possible, and so is 'de dicto' false and 'de re' true [Plantinga]
10. Modality / E. Possible worlds / 3. Transworld Objects / a. Transworld identity
14651 What Socrates could have been, and could have become, are different? [Plantinga]
11. Knowledge Aims / B. Certain Knowledge / 3. Fallibilism
14768 Infallibility in science is just a joke [Peirce]
12. Knowledge Sources / D. Empiricism / 2. Associationism
14765 Association of ideas is the best philosophical idea of the prescientific age [Peirce]
14. Science / B. Scientific Theories / 1. Scientific Theory
14766 Duns Scotus offers perhaps the best logic and metaphysics for modern physical science [Peirce]
16. Persons / C. Self-Awareness / 3. Limits of Introspection
20429 Most of us are too close to our own motives to understand them [Fry]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
20424 Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry]
20427 Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
20433 'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
20430 In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry]
21. Aesthetics / B. Nature of Art / 2. Art as Form
20431 Art needs a mixture of order and variety in its sensations [Fry]
21. Aesthetics / B. Nature of Art / 3. Art as Imitation
20423 If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry]
20428 Popular opinion favours realism, yet most people never look closely at anything! [Fry]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
20432 When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
20425 In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
20426 For pure moralists art must promote right action, and not just be harmless [Fry]