32 ideas
| 6947 | Metaphysics does not rest on facts, but on what we are inclined to believe [Peirce] |
| 6937 | Reason aims to discover the unknown by thinking about the known [Peirce] |
| 21492 | Realism is basic to the scientific method [Peirce] |
| 6949 | If someone doubted reality, they would not actually feel dissatisfaction [Peirce] |
| 20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
| 6940 | The feeling of belief shows a habit which will determine our actions [Peirce] |
| 6941 | We are entirely satisfied with a firm belief, even if it is false [Peirce] |
| 6942 | We want true beliefs, but obviously we think our beliefs are true [Peirce] |
| 6943 | A mere question does not stimulate a struggle for belief; there must be a real doubt [Peirce] |
| 6598 | We need our beliefs to be determined by some external inhuman permanency [Peirce] |
| 6944 | Demonstration does not rest on first principles of reason or sensation, but on freedom from actual doubt [Peirce] |
| 6948 | Doubts should be satisfied by some external permanency upon which thinking has no effect [Peirce] |
| 6945 | Once doubt ceases, there is no point in continuing to argue [Peirce] |
| 20338 | We often treat a type as if it were a sort of token [Wollheim] |
| 22306 | To explain false belief we should take belief as relating to a proposition's parts, not to the whole thing [Russell] |
| 20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
| 20343 | A love of nature must precede a love of art [Wollheim] |
| 20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
| 20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
| 20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
| 20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
| 20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
| 20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
| 20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
| 20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
| 20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
| 20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
| 20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
| 20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |
| 6939 | What is true of one piece of copper is true of another (unlike brass) [Peirce] |
| 6938 | Natural selection might well fill an animal's mind with pleasing thoughts rather than true ones [Peirce] |
| 6946 | If death is annihilation, belief in heaven is a cheap pleasure with no disappointment [Peirce] |