Combining Texts

All the ideas for 'The Fixation of Belief', 'Positions' and 'Aesthetics'

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21 ideas

1. Philosophy / E. Nature of Metaphysics / 3. Metaphysical Systems
Metaphysics does not rest on facts, but on what we are inclined to believe [Peirce]
1. Philosophy / H. Continental Philosophy / 6. Deconstruction
Deconstruction is not neutral; it intervenes [Derrida]
2. Reason / A. Nature of Reason / 4. Aims of Reason
Reason aims to discover the unknown by thinking about the known [Peirce]
2. Reason / C. Styles of Reason / 1. Dialectic
I try to analyse certain verbal concepts which block and confuse the dialectical process [Derrida]
7. Existence / D. Theories of Reality / 2. Realism
Realism is basic to the scientific method [Peirce]
7. Existence / D. Theories of Reality / 4. Anti-realism
If someone doubted reality, they would not actually feel dissatisfaction [Peirce]
11. Knowledge Aims / A. Knowledge / 4. Belief / c. Aim of beliefs
The feeling of belief shows a habit which will determine our actions [Peirce]
We are entirely satisfied with a firm belief, even if it is false [Peirce]
We want true beliefs, but obviously we think our beliefs are true [Peirce]
A mere question does not stimulate a struggle for belief; there must be a real doubt [Peirce]
13. Knowledge Criteria / B. Internal Justification / 2. Pragmatic justification
We need our beliefs to be determined by some external inhuman permanency [Peirce]
13. Knowledge Criteria / B. Internal Justification / 4. Foundationalism / b. Basic beliefs
Demonstration does not rest on first principles of reason or sensation, but on freedom from actual doubt [Peirce]
13. Knowledge Criteria / C. External Justification / 1. External Justification
Doubts should be satisfied by some external permanency upon which thinking has no effect [Peirce]
13. Knowledge Criteria / D. Scepticism / 6. Scepticism Critique
Once doubt ceases, there is no point in continuing to argue [Peirce]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Aesthetics presupposes a distinctive sort of experience, and a unified essence for art [Gardner]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
Art works originate in the artist's mind, and appreciation is re-creating this mental object [Gardner]
21. Aesthetics / C. Artistic Issues / 5. Objectivism in Art
Aesthetic objectivists must explain pleasure being essential, but not in the object [Gardner]
22. Metaethics / B. Value / 1. Nature of Value / d. Subjective value
Aesthetic judgements necessarily require first-hand experience, unlike moral judgements [Gardner]
26. Natural Theory / B. Natural Kinds / 2. Defining Kinds
What is true of one piece of copper is true of another (unlike brass) [Peirce]
27. Natural Reality / G. Biology / 3. Evolution
Natural selection might well fill an animal's mind with pleasing thoughts rather than true ones [Peirce]
28. God / B. Proving God / 2. Proofs of Reason / d. Pascal's Wager
If death is annihilation, belief in heaven is a cheap pleasure with no disappointment [Peirce]