Combining Texts

All the ideas for 'Explaining the A Priori', 'What is the Source of Knowledge of Modal Truths?' and 'Critique of Judgement I: Aesthetic'

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35 ideas

2. Reason / D. Definition / 6. Definition by Essence
A definition of a circle will show what it is, and show its generating principle [Lowe]
Defining an ellipse by conic sections reveals necessities, but not the essence of an ellipse [Lowe]
An essence is what an entity is, revealed by a real definition; this is not an entity in its own right [Lowe]
2. Reason / D. Definition / 11. Ostensive Definition
Simple things like 'red' can be given real ostensive definitions [Lowe]
9. Objects / B. Unity of Objects / 3. Unity Problems / c. Statue and clay
The essence of lumps and statues shows that two objects coincide but are numerically distinct [Lowe]
The essence of a bronze statue shows that it could be made of different bronze [Lowe]
9. Objects / D. Essence of Objects / 4. Essence as Definition
Grasping an essence is just grasping a real definition [Lowe]
9. Objects / D. Essence of Objects / 8. Essence as Explanatory
Explanation can't give an account of essence, because it is too multi-faceted [Lowe]
9. Objects / D. Essence of Objects / 14. Knowledge of Essences
If we must know some entity to know an essence, we lack a faculty to do that [Lowe]
10. Modality / A. Necessity / 3. Types of Necessity
Logical necessities, based on laws of logic, are a proper sub-class of metaphysical necessities [Lowe]
10. Modality / A. Necessity / 5. Metaphysical Necessity
'Metaphysical' necessity is absolute and objective - the strongest kind of necessity [Lowe]
10. Modality / B. Possibility / 2. Epistemic possibility
'Epistemic' necessity is better called 'certainty' [Lowe]
10. Modality / C. Sources of Modality / 6. Necessity from Essence
If an essence implies p, then p is an essential truth, and hence metaphysically necessary [Lowe]
Metaphysical necessity is either an essential truth, or rests on essential truths [Lowe]
10. Modality / E. Possible worlds / 1. Possible Worlds / e. Against possible worlds
We could give up possible worlds if we based necessity on essences [Lowe]
12. Knowledge Sources / E. Direct Knowledge / 2. Intuition
'Intuitions' are just unreliable 'hunches'; over centuries intuitions change enormously [Lowe]
18. Thought / D. Concepts / 1. Concepts / a. Nature of concepts
A concept is a way of thinking of things or kinds, whether or not they exist [Lowe]
18. Thought / D. Concepts / 2. Origin of Concepts / a. Origin of concepts
The concept 'red' is tied to what actually individuates red things [Peacocke]
19. Language / B. Reference / 3. Direct Reference / a. Direct reference
Direct reference doesn't seem to require that thinkers know what it is they are thinking about [Lowe]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Kant gave form and status to aesthetics, and Hegel gave it content [Kant, by Scruton]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
The aesthetic attitude is a matter of disinterestedness [Kant, by Wollheim]
Only rational beings can experience beauty [Kant, by Scruton]
It is hard to see why we would have developed Kant's 'disinterested' aesthetic attitude [Cochrane on Kant]
21. Aesthetics / A. Aesthetic Experience / 3. Taste
With respect to the senses, taste is an entirely personal matter [Kant]
When we judge beauty, it isn't just personal; we judge on behalf of everybody [Kant]
Saying everyone has their own taste destroys the very idea of taste [Kant]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
Kant thinks beauty ignores its objects, because it is only 'form' engaging with mind [Cochrane on Kant]
The beautiful is not conceptualised as moral, but it symbolises or resembles goodness [Kant, by Murdoch]
Kant saw beauty as a sort of disinterested pleasure, which has become separate from the good [Kant, by Taylor,C]
Beauty is only judged in pure contemplation, and not with something else at stake [Kant]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
The mathematical sublime is immeasurable greatness; the dynamical sublime is overpowering [Kant, by Pinkard]
The sublime is a moral experience [Kant, by Gardner]
21. Aesthetics / C. Artistic Issues / 5. Objectivism in Art
Aesthetic values are not objectively valid, but we must treat them as if they are [Kant, by Scruton]
The judgement of beauty is not cognitive, but relates, via imagination, to pleasurable feelings [Kant]
26. Natural Theory / D. Laws of Nature / 8. Scientific Essentialism / e. Anti scientific essentialism
H2O isn't necessary, because different laws of nature might affect how O and H combine [Lowe]