17 ideas
| 12580 | Experiences have no conceptual content [Evans, by Greco] |
| 7643 | We have far fewer colour concepts than we have discriminations of colour [Evans] |
| 20429 | Most of us are too close to our own motives to understand them [Fry] |
| 23794 | Some representational states, like perception, may be nonconceptual [Evans, by Schulte] |
| 16366 | The Generality Constraint says if you can think a predicate you can apply it to anything [Evans] |
| 17722 | The concept 'red' is tied to what actually individuates red things [Peacocke] |
| 12575 | Concepts have a 'Generality Constraint', that we must know how predicates apply to them [Evans, by Peacocke] |
| 20424 | Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry] |
| 20427 | Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry] |
| 20433 | 'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry] |
| 20430 | In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry] |
| 20431 | Art needs a mixture of order and variety in its sensations [Fry] |
| 20423 | If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry] |
| 20428 | Popular opinion favours realism, yet most people never look closely at anything! [Fry] |
| 20432 | When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry] |
| 20425 | In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry] |
| 20426 | For pure moralists art must promote right action, and not just be harmless [Fry] |