34 ideas
| 9921 | 'True' is only occasionally useful, as in 'everything Fermat believed was true' [Burgess/Rosen] |
| 9924 | Modal logic gives an account of metalogical possibility, not metaphysical possibility [Burgess/Rosen] |
| 9933 | The paradoxes are only a problem for Frege; Cantor didn't assume every condition determines a set [Burgess/Rosen] |
| 9928 | Mereology implies that acceptance of entities entails acceptance of conglomerates [Burgess/Rosen] |
| 9926 | A relation is either a set of sets of sets, or a set of sets [Burgess/Rosen] |
| 9932 | The paradoxes no longer seem crucial in critiques of set theory [Burgess/Rosen] |
| 9923 | We should talk about possible existence, rather than actual existence, of numbers [Burgess/Rosen] |
| 9925 | Structuralism and nominalism are normally rivals, but might work together [Burgess/Rosen] |
| 9934 | Number words became nouns around the time of Plato [Burgess/Rosen] |
| 9918 | Abstract/concrete is a distinction of kind, not degree [Burgess/Rosen] |
| 9929 | Much of what science says about concrete entities is 'abstraction-laden' [Burgess/Rosen] |
| 9927 | Mathematics has ascended to higher and higher levels of abstraction [Burgess/Rosen] |
| 9930 | Abstraction is on a scale, of sets, to attributes, to type-formulas, to token-formulas [Burgess/Rosen] |
| 9919 | The old debate classified representations as abstract, not entities [Burgess/Rosen] |
| 23928 | Good art produces exaltation and detachment [Bell,C] |
| 23922 | The word 'beauty' leads to confusion, because it denotes distinct emotions [Bell,C] |
| 23921 | Our feeling for natural beauty is different from the aesthetic emotion of art [Bell,C] |
| 23929 | We only see landscapes as artistic if we ignore their instrumental value [Bell,C] |
| 23923 | Visual form can create a sublime mental state [Bell,C] |
| 23932 | Art is the expression of an emotion for ultimate reality [Bell,C] |
| 23927 | Aestheticism invites artist to create beauty, but with no indication of how to do it [Bell,C] |
| 8115 | Only artists can discern significant form; other people must look to art to find it [Bell,C, by Gardner] |
| 23924 | Maybe significant form gives us a feeling for ultimate reality [Bell,C] |
| 23931 | Significant form is the essence of art, which I believe expresses an emotion about reality [Bell,C] |
| 20434 | 'Form' is visual relations, and it is 'significant' if it moves us aesthetically; art needs both [Bell,C, by Feagin] |
| 23934 | The only expression art could have is the emotion resulting from pure form [Bell,C] |
| 8113 | Art is like understanding a natural language, and needs a grasp of a symbol system [Goodman, by Gardner] |
| 23925 | Mere copies of pictures are not significant - unless the copies are very exact [Bell,C] |
| 23926 | Art is distinguished by its aesthetic emotion, which produces appropriate form [Bell,C] |
| 23933 | Aesthetic contemplation is the best and most intense mental state [Bell,C] |
| 23935 | Aesthetic experience is an exaltation which increases the possibilities of life [Bell,C] |
| 22691 | Only artistic qualities matter in art, because they also have the highest moral value [Bell,C] |
| 9922 | If space is really just a force-field, then it is a physical entity [Burgess/Rosen] |
| 23930 | Religion sees infinite value in some things, and irrelevance in the rest [Bell,C] |