Combining Texts

All the ideas for 'The Sayings of Confucius', 'Guide to Ground' and 'Art and Its Objects'

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45 ideas

1. Philosophy / E. Nature of Metaphysics / 5. Metaphysics beyond Science
Realist metaphysics concerns what is real; naive metaphysics concerns natures of things [Fine,K]
3. Truth / B. Truthmakers / 3. Truthmaker Maximalism
Truths need not always have their source in what exists [Fine,K]
3. Truth / B. Truthmakers / 7. Making Modal Truths
If the truth-making relation is modal, then modal truths will be grounded in anything [Fine,K]
5. Theory of Logic / B. Logical Consequence / 1. Logical Consequence
Logical consequence is verification by a possible world within a truth-set [Fine,K]
7. Existence / C. Structure of Existence / 1. Grounding / a. Nature of grounding
2+2=4 is necessary if it is snowing, but not true in virtue of the fact that it is snowing [Fine,K]
If you say one thing causes another, that leaves open that the 'other' has its own distinct reality [Fine,K]
An immediate ground is the next lower level, which gives the concept of a hierarchy [Fine,K]
'Strict' ground moves down the explanations, but 'weak' ground can move sideways [Fine,K]
We learn grounding from what is grounded, not what does the grounding [Fine,K]
7. Existence / C. Structure of Existence / 1. Grounding / b. Relata of grounding
If grounding is a relation it must be between entities of the same type, preferably between facts [Fine,K]
Ground is best understood as a sentence operator, rather than a relation between predicates [Fine,K]
7. Existence / C. Structure of Existence / 1. Grounding / c. Grounding and explanation
Only metaphysical grounding must be explained by essence [Fine,K]
Philosophical explanation is largely by ground (just as cause is used in science) [Fine,K]
7. Existence / C. Structure of Existence / 1. Grounding / d. Grounding and reduction
We can only explain how a reduction is possible if we accept the concept of ground [Fine,K]
7. Existence / D. Theories of Reality / 8. Facts / a. Facts
Facts, such as redness and roundness of a ball, can be 'fused' into one fact [Fine,K]
8. Modes of Existence / E. Nominalism / 5. Class Nominalism
Classes rarely share properties with their members - unlike universals and types [Wollheim]
9. Objects / E. Objects over Time / 5. Temporal Parts
Even a three-dimensionalist might identify temporal parts, in their thinking [Fine,K]
10. Modality / C. Sources of Modality / 1. Sources of Necessity
Each basic modality has its 'own' explanatory relation [Fine,K]
Every necessary truth is grounded in the nature of something [Fine,K]
14. Science / D. Explanation / 2. Types of Explanation / a. Types of explanation
We explain by identity (what it is), or by truth (how things are) [Fine,K]
Is there metaphysical explanation (as well as causal), involving a constitutive form of determination? [Fine,K]
15. Nature of Minds / C. Capacities of Minds / 4. Objectification
We often treat a type as if it were a sort of token [Wollheim]
17. Mind and Body / D. Property Dualism / 5. Supervenience of mind
If mind supervenes on the physical, it may also explain the physical (and not vice versa) [Fine,K]
19. Language / F. Communication / 1. Rhetoric
People who control others with fluent language often end up being hated [Kongzi (Confucius)]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Interpretation is performance for some arts, and critical for all arts [Wollheim]
A love of nature must precede a love of art [Wollheim]
21. Aesthetics / B. Nature of Art / 1. Defining Art
A criterion of identity for works of art would be easier than a definition [Wollheim]
21. Aesthetics / B. Nature of Art / 2. Art as Form
If beauty needs organisation, then totally simple things can't be beautiful [Wollheim]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
Some say art must have verbalisable expression, and others say the opposite! [Wollheim]
It is claimed that the expressive properties of artworks are non-physical [Wollheim]
21. Aesthetics / B. Nature of Art / 6. Art as Institution
Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim]
The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim]
The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim]
The ideal theory of art neglects both the audience and the medium employed [Wollheim]
A musical performance has virtually the same features as the piece of music [Wollheim]
21. Aesthetics / B. Nature of Art / 8. The Arts / a. Music
An interpretation adds further properties to the generic piece of music [Wollheim]
21. Aesthetics / C. Artistic Issues / 3. Artistic Representation
A drawing only represents Napoleon if the artist intended it to [Wollheim]
22. Metaethics / A. Ethics Foundations / 1. Nature of Ethics / h. Against ethics
All men prefer outward appearance to true excellence [Kongzi (Confucius)]
22. Metaethics / A. Ethics Foundations / 2. Source of Ethics / e. Human nature
Humans are similar, but social conventions drive us apart (sages and idiots being the exceptions) [Kongzi (Confucius)]
23. Ethics / B. Contract Ethics / 2. Golden Rule
Do not do to others what you would not desire yourself [Kongzi (Confucius)]
23. Ethics / C. Virtue Theory / 2. Elements of Virtue Theory / f. The Mean
Excess and deficiency are equally at fault [Kongzi (Confucius)]
23. Ethics / C. Virtue Theory / 3. Virtues / a. Virtues
The virtues of the best people are humility, maganimity, sincerity, diligence, and graciousness [Kongzi (Confucius)]
24. Political Theory / C. Ruling a State / 2. Leaders / d. Elites
Men of the highest calibre avoid political life completely [Kongzi (Confucius)]
24. Political Theory / D. Ideologies / 3. Conservatism
Confucianism assumes that all good developments have happened, and there is only one Way [Norden on Kongzi (Confucius)]