Combining Texts

All the ideas for 'Substance and Individuation in Leibniz', 'The Philosophy of Art (2nd ed)' and 'Essence and Modality'

expand these ideas     |    start again     |     specify just one area for these texts


57 ideas

1. Philosophy / F. Analytic Philosophy / 3. Analysis of Preconditions
'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S]
1. Philosophy / F. Analytic Philosophy / 4. Conceptual Analysis
My account shows how the concept works, rather than giving an analysis [Fine,K]
2. Reason / D. Definition / 1. Definitions
A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S]
2. Reason / D. Definition / 4. Real Definition
Modern philosophy has largely abandoned real definitions, apart from sortals [Fine,K]
2. Reason / D. Definition / 6. Definition by Essence
Defining a term and giving the essence of an object don't just resemble - they are the same [Fine,K]
2. Reason / D. Definition / 13. Against Definition
Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S]
7. Existence / C. Structure of Existence / 4. Ontological Dependence
An object is dependent if its essence prevents it from existing without some other object [Fine,K]
8. Modes of Existence / A. Relations / 1. Nature of Relations
Scholastics treat relations as two separate predicates of the relata [Cover/O'Leary-Hawthorne]
9. Objects / A. Existence of Objects / 5. Individuation / a. Individuation
If you individuate things by their origin, you still have to individuate the origins themselves [Cover/O'Leary-Hawthorne]
Numerical difference is a symmetrical notion, unlike proper individuation [Cover/O'Leary-Hawthorne]
9. Objects / A. Existence of Objects / 5. Individuation / d. Individuation by haecceity
Haecceity as property, or as colourless thisness, or as singleton set [Cover/O'Leary-Hawthorne]
9. Objects / B. Unity of Objects / 2. Substance / a. Substance
Maybe 'substance' is more of a mass-noun than a count-noun [Cover/O'Leary-Hawthorne]
9. Objects / B. Unity of Objects / 2. Substance / c. Types of substance
We can ask for the nature of substance, about type of substance, and about individual substances [Cover/O'Leary-Hawthorne]
9. Objects / B. Unity of Objects / 2. Substance / d. Substance defined
The general assumption is that substances cannot possibly be non-substances [Cover/O'Leary-Hawthorne]
9. Objects / D. Essence of Objects / 2. Types of Essence
Essences are either taken as real definitions, or as necessary properties [Fine,K]
9. Objects / D. Essence of Objects / 6. Essence as Unifier
Essentially having a property is naturally expressed as 'the property it must have to be what it is' [Fine,K]
9. Objects / D. Essence of Objects / 7. Essence and Necessity / a. Essence as necessary properties
Simple modal essentialism refers to necessary properties of an object [Fine,K]
Essentialist claims can be formulated more clearly with quantified modal logic [Fine,K]
Modern essences are sets of essential predicate-functions [Cover/O'Leary-Hawthorne]
Modern essentialists express essence as functions from worlds to extensions for predicates [Cover/O'Leary-Hawthorne]
9. Objects / D. Essence of Objects / 7. Essence and Necessity / b. Essence not necessities
Metaphysical necessity is a special case of essence, not vice versa [Fine,K]
Essence as necessary properties produces a profusion of essential properties [Fine,K, by Lowe]
The nature of singleton Socrates has him as a member, but not vice versa [Fine,K]
It is not part of the essence of Socrates that a huge array of necessary truths should hold [Fine,K]
9. Objects / D. Essence of Objects / 8. Essence as Explanatory
An essential property of something must be bound up with what it is to be that thing [Fine,K, by Rami]
9. Objects / D. Essence of Objects / 9. Essence and Properties
Essential properties are part of an object's 'definition' [Fine,K, by Rami]
9. Objects / E. Objects over Time / 12. Origin as Essential
If Socrates lacks necessary existence, then his nature cannot require his parents' existence [Fine,K]
Necessity-of-origin won't distinguish ex nihilo creations, or things sharing an origin [Cover/O'Leary-Hawthorne]
10. Modality / C. Sources of Modality / 1. Sources of Necessity
The subject of a proposition need not be the source of its necessity [Fine,K]
10. Modality / C. Sources of Modality / 4. Necessity from Concepts
Conceptual necessities rest on the nature of all concepts [Fine,K]
10. Modality / C. Sources of Modality / 6. Necessity from Essence
Socrates is necessarily distinct from the Eiffel Tower, but that is not part of his essence [Fine,K]
Metaphysical necessities are true in virtue of the nature of all objects [Fine,K]
10. Modality / E. Possible worlds / 3. Transworld Objects / a. Transworld identity
Even extreme modal realists might allow transworld identity for abstract objects [Cover/O'Leary-Hawthorne]
14. Science / D. Explanation / 2. Types of Explanation / c. Explanations by coherence
We can go beyond mere causal explanations if we believe in an 'order of being' [Cover/O'Leary-Hawthorne]
19. Language / E. Analyticity / 2. Analytic Truths
The meaning of 'bachelor' is irrelevant to the meaning of 'unmarried man' [Fine,K]
Analytic truth may only be true in virtue of the meanings of certain terms [Fine,K]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Aesthetic experience involves perception, but also imagination and understanding [Davies,S]
21. Aesthetics / A. Aesthetic Experience / 3. Taste
The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S]
21. Aesthetics / B. Nature of Art / 1. Defining Art
The idea that art forms are linked into a single concept began in the 1740s [Davies,S]
Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S]
'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
Music may be expressive by being 'associated' with other emotional words or events [Davies,S]
It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S]
21. Aesthetics / B. Nature of Art / 6. Art as Institution
The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S]
21. Aesthetics / B. Nature of Art / 8. The Arts / a. Music
Music is too definite to be put into words (not too indefinite!) [Davies,S]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S]
We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S]
Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S]
The meaning is given by the audience's best guess at the author's intentions [Davies,S]
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S]
Art that is multiply instanced may require at least one instance [Davies,S]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
Music isn't just sad because it makes the listener feel sad [Davies,S]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
Immorality may or may not be an artistic defect [Davies,S]
If the depiction of evil is glorified, that is an artistic flaw [Davies,S]
It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S]
A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S]