Combining Texts

All the ideas for 'A Future for Presentism', 'An Essay in Aesthetics' and 'The Origin of the Work of Art'

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26 ideas

1. Philosophy / D. Nature of Philosophy / 5. Aims of Philosophy / b. Philosophy as transcendent
Later Heidegger sees philosophy as more like poetry than like science [Heidegger, by Polt]
2. Reason / B. Laws of Thought / 2. Sufficient Reason
Is Sufficient Reason self-refuting (no reason to accept it!), or is it a legitimate explanatory tool? [Bourne]
3. Truth / H. Deflationary Truth / 1. Redundant Truth
The redundancy theory conflates metalinguistic bivalence with object-language excluded middle [Bourne]
8. Modes of Existence / A. Relations / 1. Nature of Relations
All relations between spatio-temporal objects are either spatio-temporal, or causal [Bourne]
It is a necessary condition for the existence of relations that both of the relata exist [Bourne]
16. Persons / C. Self-Awareness / 3. Limits of Introspection
Most of us are too close to our own motives to understand them [Fry]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry]
Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry]
21. Aesthetics / B. Nature of Art / 2. Art as Form
Art needs a mixture of order and variety in its sensations [Fry]
21. Aesthetics / B. Nature of Art / 3. Art as Imitation
If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry]
Popular opinion favours realism, yet most people never look closely at anything! [Fry]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
For pure moralists art must promote right action, and not just be harmless [Fry]
27. Natural Reality / B. Modern Physics / 1. Relativity / a. Special relativity
The idea of simultaneity in Special Relativity is full of verificationist assumptions [Bourne]
Relativity denies simultaneity, so it needs past, present and future (unlike Presentism) [Bourne]
27. Natural Reality / D. Time / 1. Nature of Time / a. Absolute time
Special Relativity allows an absolute past, future, elsewhere and simultaneity [Bourne]
27. Natural Reality / D. Time / 1. Nature of Time / g. Growing block
No-Futurists believe in past and present, but not future, and say the world grows as facts increase [Bourne]
27. Natural Reality / D. Time / 1. Nature of Time / h. Presentism
How can presentists talk of 'earlier than', and distinguish past from future? [Bourne]
Presentism seems to deny causation, because the cause and the effect can never coexist [Bourne]
Since presentists treat the presentness of events as basic, simultaneity should be define by that means [Bourne]
27. Natural Reality / D. Time / 2. Passage of Time / d. Time series
Time is tensed or tenseless; the latter says all times and objects are real, and there is no passage of time [Bourne]
B-series objects relate to each other; A-series objects relate to the present [Bourne]
27. Natural Reality / D. Time / 2. Passage of Time / e. Tensed (A) series
Time flows, past is fixed, future is open, future is feared but not past, we remember past, we plan future [Bourne]