Combining Texts

All the ideas for 'fragments/reports', 'Pref to new 'Materialist Theory'' and 'The Philosophy of Art (2nd ed)'

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34 ideas

1. Philosophy / F. Analytic Philosophy / 3. Analysis of Preconditions
'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S]
2. Reason / D. Definition / 1. Definitions
A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S]
2. Reason / D. Definition / 13. Against Definition
Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S]
12. Knowledge Sources / B. Perception / 2. Qualities in Perception / d. Secondary qualities
Secondary qualities are microscopic primary qualities of physical things [Armstrong]
15. Nature of Minds / B. Features of Minds / 1. Consciousness / b. Essence of consciousness
Consciousness and experience of qualities are not the same [Armstrong]
17. Mind and Body / B. Behaviourism / 1. Behaviourism
Behaviourism is false, but mind is definable as the cause of behaviour [Armstrong]
17. Mind and Body / B. Behaviourism / 2. Potential Behaviour
The manifestations of a disposition need never actually exist [Armstrong]
17. Mind and Body / C. Functionalism / 4. Causal Functionalism
Causal Functionalism says mental states are apt for producing behaviour [Armstrong]
17. Mind and Body / C. Functionalism / 5. Teleological Functionalism
A causal theory of mentality would be improved by a teleological element [Armstrong]
17. Mind and Body / E. Mind as Physical / 1. Physical Mind
The identity of mental states with physical properties is contingent, because the laws of nature are contingent [Armstrong]
17. Mind and Body / E. Mind as Physical / 7. Anti-Physicalism / b. Multiple realisability
One mental role might be filled by a variety of physical types [Armstrong]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Aesthetic experience involves perception, but also imagination and understanding [Davies,S]
21. Aesthetics / A. Aesthetic Experience / 3. Taste
The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S]
21. Aesthetics / B. Nature of Art / 1. Defining Art
The idea that art forms are linked into a single concept began in the 1740s [Davies,S]
Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S]
'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
Music may be expressive by being 'associated' with other emotional words or events [Davies,S]
It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S]
21. Aesthetics / B. Nature of Art / 6. Art as Institution
The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S]
21. Aesthetics / B. Nature of Art / 8. The Arts / a. Music
Music is too definite to be put into words (not too indefinite!) [Davies,S]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S]
We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S]
Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S]
The meaning is given by the audience's best guess at the author's intentions [Davies,S]
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S]
Art that is multiply instanced may require at least one instance [Davies,S]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
Music isn't just sad because it makes the listener feel sad [Davies,S]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
If the depiction of evil is glorified, that is an artistic flaw [Davies,S]
It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S]
Immorality may or may not be an artistic defect [Davies,S]
A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S]
23. Ethics / C. Virtue Theory / 2. Elements of Virtue Theory / e. Character
Virtue comes more from habit than character [Critias]
28. God / C. Attitudes to God / 5. Atheism
Fear of the gods was invented to discourage secret sin [Critias]