Combining Texts

All the ideas for 'fragments/reports', 'Guide to Ground' and 'An Essay in Aesthetics'

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34 ideas

1. Philosophy / E. Nature of Metaphysics / 5. Metaphysics beyond Science
Realist metaphysics concerns what is real; naive metaphysics concerns natures of things [Fine,K]
3. Truth / B. Truthmakers / 3. Truthmaker Maximalism
Truths need not always have their source in what exists [Fine,K]
3. Truth / B. Truthmakers / 7. Making Modal Truths
If the truth-making relation is modal, then modal truths will be grounded in anything [Fine,K]
5. Theory of Logic / B. Logical Consequence / 1. Logical Consequence
Logical consequence is verification by a possible world within a truth-set [Fine,K]
7. Existence / C. Structure of Existence / 1. Grounding / a. Nature of grounding
2+2=4 is necessary if it is snowing, but not true in virtue of the fact that it is snowing [Fine,K]
If you say one thing causes another, that leaves open that the 'other' has its own distinct reality [Fine,K]
An immediate ground is the next lower level, which gives the concept of a hierarchy [Fine,K]
'Strict' ground moves down the explanations, but 'weak' ground can move sideways [Fine,K]
We learn grounding from what is grounded, not what does the grounding [Fine,K]
7. Existence / C. Structure of Existence / 1. Grounding / b. Relata of grounding
If grounding is a relation it must be between entities of the same type, preferably between facts [Fine,K]
Ground is best understood as a sentence operator, rather than a relation between predicates [Fine,K]
7. Existence / C. Structure of Existence / 1. Grounding / c. Grounding and explanation
Only metaphysical grounding must be explained by essence [Fine,K]
Philosophical explanation is largely by ground (just as cause is used in science) [Fine,K]
7. Existence / C. Structure of Existence / 1. Grounding / d. Grounding and reduction
We can only explain how a reduction is possible if we accept the concept of ground [Fine,K]
7. Existence / D. Theories of Reality / 8. Facts / a. Facts
Facts, such as redness and roundness of a ball, can be 'fused' into one fact [Fine,K]
9. Objects / E. Objects over Time / 5. Temporal Parts
Even a three-dimensionalist might identify temporal parts, in their thinking [Fine,K]
10. Modality / C. Sources of Modality / 1. Sources of Necessity
Each basic modality has its 'own' explanatory relation [Fine,K]
Every necessary truth is grounded in the nature of something [Fine,K]
14. Science / D. Explanation / 2. Types of Explanation / a. Types of explanation
We explain by identity (what it is), or by truth (how things are) [Fine,K]
Is there metaphysical explanation (as well as causal), involving a constitutive form of determination? [Fine,K]
16. Persons / C. Self-Awareness / 3. Limits of Introspection
Most of us are too close to our own motives to understand them [Fry]
17. Mind and Body / D. Property Dualism / 5. Supervenience of mind
If mind supervenes on the physical, it may also explain the physical (and not vice versa) [Fine,K]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry]
Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry]
21. Aesthetics / B. Nature of Art / 2. Art as Form
Art needs a mixture of order and variety in its sensations [Fry]
21. Aesthetics / B. Nature of Art / 3. Art as Imitation
If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry]
Popular opinion favours realism, yet most people never look closely at anything! [Fry]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
For pure moralists art must promote right action, and not just be harmless [Fry]
23. Ethics / C. Virtue Theory / 2. Elements of Virtue Theory / e. Character
Virtue comes more from habit than character [Critias]
28. God / C. Attitudes to God / 5. Atheism
Fear of the gods was invented to discourage secret sin [Critias]