16 ideas
| 6405 | Moore's 'The Nature of Judgement' (1898) marked the rejection (with Russell) of idealism [Moore,GE, by Grayling] |
| 7527 | Analysis for Moore and Russell is carving up the world, not investigating language [Moore,GE, by Monk] |
| 3745 | Must sentences make statements to qualify for truth? [O'Connor] |
| 3742 | Beliefs must match facts, but also words must match beliefs [O'Connor] |
| 3744 | The semantic theory requires sentences as truth-bearers, not propositions [O'Connor] |
| 3749 | What does 'true in English' mean? [O'Connor] |
| 3746 | Logic seems to work for unasserted sentences [O'Connor] |
| 3747 | Events are fast changes which are of interest to us [O'Connor] |
| 3743 | We can't contemplate our beliefs until we have expressed them [O'Connor] |
| 3748 | Without language our beliefs are particular and present [O'Connor] |
| 22302 | Moor bypassed problems of correspondence by saying true propositions ARE facts [Moore,GE, by Potter] |
| 7526 | Hegelians say propositions defy analysis, but Moore says they can be broken down [Moore,GE, by Monk] |
| 22693 | The works we value most are in sympathy with our own moral views [John,E] |
| 22694 | We should understand what is morally important in a story, without having to endorse it [John,E] |
| 22695 | We value morality in art because that is what we care about - but it is a contingent fact [John,E] |
| 22692 | A work can be morally and artistically excellent, despite rejecting moral truth [John,E] |