14 ideas
| 4037 | Ockham's Razor is the principle that we need reasons to believe in entities [Mellor/Oliver] |
| 4027 | Properties are respects in which particular objects may be alike or differ [Mellor/Oliver] |
| 4029 | Nominalists ask why we should postulate properties at all [Mellor/Oliver] |
| 4039 | Abstractions lack causes, effects and spatio-temporal locations [Mellor/Oliver] |
| 20440 | Art is a referential activity, hence indefinable, but it has a set of symptoms [Goodman] |
| 20439 | Artistic symbols are judged by the fruitfulness of their classifications [Goodman, by Giovannelli] |
| 20438 | A performance is only an instance of a work if there is not a single error [Goodman] |
| 20400 | Intentions either succeed or fail, so external evidence for them is always irrelevant [Wimsatt/Beardsley, by Davies,S] |
| 7266 | The author's intentions are irrelevant to the judgement of a work's success [Wimsatt/Beardsley] |
| 7267 | Poetry, unlike messages, can be successful without communicating intentions [Wimsatt/Beardsley] |
| 7268 | The thoughts of a poem should be imputed to the dramatic speaker, and hardly at all to the poet [Wimsatt/Beardsley] |
| 7269 | The intentional fallacy is a romantic one [Wimsatt/Beardsley] |
| 7271 | Biography can reveal meanings and dramatic character, as well as possible intentions [Wimsatt/Beardsley] |
| 20437 | A copy only becomes an 'instance' of an artwork if there is a system of notation [Goodman] |