Combining Texts

All the ideas for 'Introduction to 'Properties'', 'Aesthetics' and 'Elbow Room: varieties of free will'

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18 ideas

1. Philosophy / D. Nature of Philosophy / 5. Aims of Philosophy / a. Philosophy as worldly
An overexamined life is as bad as an unexamined one [Dennett]
2. Reason / A. Nature of Reason / 9. Limits of Reason
Rationality requires the assumption that things are either for better or worse [Dennett]
2. Reason / B. Laws of Thought / 6. Ockham's Razor
Ockham's Razor is the principle that we need reasons to believe in entities [Mellor/Oliver]
8. Modes of Existence / B. Properties / 6. Categorical Properties
Properties are respects in which particular objects may be alike or differ [Mellor/Oliver]
8. Modes of Existence / B. Properties / 12. Denial of Properties
Nominalists ask why we should postulate properties at all [Mellor/Oliver]
10. Modality / D. Knowledge of Modality / 4. Conceivable as Possible / c. Possible but inconceivable
Why pronounce impossible what you cannot imagine? [Dennett]
13. Knowledge Criteria / C. External Justification / 2. Causal Justification
Causal theories require the "right" sort of link (usually unspecified) [Dennett]
16. Persons / A. Concept of a Person / 4. Persons as Agents
I am the sum total of what I directly control [Dennett]
16. Persons / F. Free Will / 1. Nature of Free Will
You can be free even though force would have prevented you doing otherwise [Dennett, by PG]
Can we conceive of a being with a will freer than our own? [Dennett]
16. Persons / F. Free Will / 2. Sources of Free Will
Awareness of thought is a step beyond awareness of the world [Dennett]
Foreknowledge permits control [Dennett]
17. Mind and Body / B. Behaviourism / 3. Intentional Stance
The active self is a fiction created because we are ignorant of our motivations [Dennett]
18. Thought / E. Abstraction / 5. Abstracta by Negation
Abstractions lack causes, effects and spatio-temporal locations [Mellor/Oliver]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Aesthetics presupposes a distinctive sort of experience, and a unified essence for art [Gardner]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
Art works originate in the artist's mind, and appreciation is re-creating this mental object [Gardner]
21. Aesthetics / C. Artistic Issues / 5. Objectivism in Art
Aesthetic objectivists must explain pleasure being essential, but not in the object [Gardner]
22. Metaethics / B. Value / 1. Nature of Value / d. Subjective value
Aesthetic judgements necessarily require first-hand experience, unlike moral judgements [Gardner]