28 ideas
| 21544 | It seems that when a proposition is false, something must fail to subsist [Russell] |
| 21539 | Excluded middle can be stated psychologically, as denial of p implies assertion of not-p [Russell] |
| 21538 | If two people perceive the same object, the object of perception can't be in the mind [Russell] |
| 7855 | Some suggest that materialism is empty, because 'physical' cannot be properly characterized [Mellor/Crane, by Papineau] |
| 21534 | The only thing we can say about relations is that they relate [Russell] |
| 21540 | Relational propositions seem to be 'about' their terms, rather than about the relation [Russell] |
| 21536 | When I perceive a melody, I do not perceive the notes as existing [Russell] |
| 21535 | Objects only exist if they 'occupy' space and time [Russell] |
| 21533 | Contingency arises from tensed verbs changing the propositions to which they refer [Russell] |
| 21537 | I assume we perceive the actual objects, and not their 'presentations' [Russell] |
| 21532 | Full empiricism is not tenable, but empirical investigation is always essential [Russell] |
| 6120 | Causation depends on intrinsic properties [Mellor/Crane] |
| 20429 | Most of us are too close to our own motives to understand them [Fry] |
| 6121 | There are many psychophysicals laws - about the effects of sweets, colours and soft cushions [Mellor/Crane] |
| 6122 | No defences of physicalism can deprive psychology of the ontological authority of other sciences [Mellor/Crane] |
| 21542 | Do incorrect judgements have non-existent, or mental, or external objects? [Russell] |
| 21541 | The complexity of the content correlates with the complexity of the object [Russell] |
| 21543 | If p is false, then believing not-p is knowing a truth, so negative propositions must exist [Russell] |
| 20424 | Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry] |
| 20427 | Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry] |
| 20433 | 'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry] |
| 20430 | In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry] |
| 20431 | Art needs a mixture of order and variety in its sensations [Fry] |
| 20423 | If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry] |
| 20428 | Popular opinion favours realism, yet most people never look closely at anything! [Fry] |
| 20432 | When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry] |
| 20425 | In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry] |
| 20426 | For pure moralists art must promote right action, and not just be harmless [Fry] |