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All the ideas for 'Intro to 'Philosophy of Logic'', 'Phil of Mathematics and Natural Science' and 'Art'

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25 ideas

4. Formal Logic / D. Modal Logic ML / 3. Modal Logic Systems / a. Systems of modal logic
9456 Modal logic is multiple systems, shown in the variety of accessibility relations between worlds [Jacquette]
5. Theory of Logic / A. Overview of Logic / 1. Overview of Logic
9457 The two main views in philosophy of logic are extensionalism and intensionalism [Jacquette]
5. Theory of Logic / I. Semantics of Logic / 5. Extensionalism
9458 Extensionalists say that quantifiers presuppose the existence of their objects [Jacquette]
5. Theory of Logic / I. Semantics of Logic / 6. Intensionalism
9461 Intensionalists say meaning is determined by the possession of properties [Jacquette]
19. Language / C. Assigning Meanings / 7. Extensional Semantics
9460 Extensionalist semantics forbids reference to nonexistent objects [Jacquette]
9459 Extensionalist semantics is circular, as we must know the extension before assessing 'Fa' [Jacquette]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
23928 Good art produces exaltation and detachment [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
23922 The word 'beauty' leads to confusion, because it denotes distinct emotions [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 5. Natural Beauty
23929 We only see landscapes as artistic if we ignore their instrumental value [Bell,C]
23921 Our feeling for natural beauty is different from the aesthetic emotion of art [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
23923 Visual form can create a sublime mental state [Bell,C]
21. Aesthetics / B. Nature of Art / 1. Defining Art
23927 Aestheticism invites artist to create beauty, but with no indication of how to do it [Bell,C]
23932 Art is the expression of an emotion for ultimate reality [Bell,C]
21. Aesthetics / B. Nature of Art / 2. Art as Form
8115 Only artists can discern significant form; other people must look to art to find it [Bell,C, by Gardner]
23924 Maybe significant form gives us a feeling for ultimate reality [Bell,C]
23931 Significant form is the essence of art, which I believe expresses an emotion about reality [Bell,C]
20434 'Form' is visual relations, and it is 'significant' if it moves us aesthetically; art needs both [Bell,C, by Feagin]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
23934 The only expression art could have is the emotion resulting from pure form [Bell,C]
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
23925 Mere copies of pictures are not significant - unless the copies are very exact [Bell,C]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
23926 Art is distinguished by its aesthetic emotion, which produces appropriate form [Bell,C]
21. Aesthetics / C. Artistic Issues / 6. Value of Art
23935 Aesthetic experience is an exaltation which increases the possibilities of life [Bell,C]
23933 Aesthetic contemplation is the best and most intense mental state [Bell,C]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
22691 Only artistic qualities matter in art, because they also have the highest moral value [Bell,C]
26. Natural Theory / D. Laws of Nature / 8. Scientific Essentialism / e. Anti scientific essentialism
10246 The limit of science is isomorphism of theories, with essences a matter of indifference [Weyl]
29. Religion / D. Religious Issues / 1. Religious Commitment / a. Religious Belief
23930 Religion sees infinite value in some things, and irrelevance in the rest [Bell,C]