32 ideas
| 18335 | There are five problems which the truth-maker theory might solve [Rami] |
| 18334 | The truth-maker idea is usually justified by its explanatory power, or intuitive appeal [Rami] |
| 18339 | The truth-making relation can be one-to-one, or many-to-many [Rami] |
| 18333 | Central idea: truths need truthmakers; and possibly all truths have them, and makers entail truths [Rami] |
| 18342 | Most theorists say that truth-makers necessitate their truths [Rami] |
| 18340 | It seems best to assume different kinds of truth-maker, such as objects, facts, tropes, or events [Rami] |
| 18341 | Truth-makers seem to be states of affairs (plus optional individuals), or individuals and properties [Rami] |
| 18346 | 'Truth supervenes on being' only gives necessary (not sufficient) conditions for contingent truths [Rami] |
| 18345 | 'Truth supervenes on being' avoids entities as truth-makers for negative truths [Rami] |
| 18343 | Maybe a truth-maker also works for the entailments of the given truth [Rami] |
| 18338 | Truth-making is usually internalist, but the correspondence theory is externalist [Rami] |
| 18337 | Correspondence theories assume that truth is a representation relation [Rami] |
| 18347 | Deflationist truth is an infinitely disjunctive property [Rami] |
| 18350 | Truth-maker theorists should probably reject the converse Barcan formula [Rami] |
| 18336 | Internal relations depend either on the existence of the relata, or on their properties [Rami] |
| 20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
| 20338 | We often treat a type as if it were a sort of token [Wollheim] |
| 20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
| 20343 | A love of nature must precede a love of art [Wollheim] |
| 20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
| 20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
| 20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
| 20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
| 20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
| 20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
| 20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
| 20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
| 20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
| 20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
| 20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
| 20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |
| 468 | Musical performance can reveal a range of virtues [Damon of Ath.] |