Combining Texts

All the ideas for 'fragments/reports', 'Identity and Existence in Logic' and 'Art'

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28 ideas

4. Formal Logic / E. Nonclassical Logics / 6. Free Logic
Free logics has terms that do not designate real things, and even empty domains [Anderson,CA]
5. Theory of Logic / G. Quantification / 5. Second-Order Quantification
Basic variables in second-order logic are taken to range over subsets of the individuals [Anderson,CA]
5. Theory of Logic / G. Quantification / 7. Unorthodox Quantification
Stop calling ∃ the 'existential' quantifier, read it as 'there is...', and range over all entities [Anderson,CA]
7. Existence / A. Nature of Existence / 2. Types of Existence
Do mathematicians use 'existence' differently when they say some entity exists? [Anderson,CA]
7. Existence / D. Theories of Reality / 11. Ontological Commitment / a. Ontological commitment
We can distinguish 'ontological' from 'existential' commitment, for different kinds of being [Anderson,CA]
9. Objects / A. Existence of Objects / 4. Impossible objects
's is non-existent' cannot be said if 's' does not designate [Anderson,CA]
We cannot pick out a thing and deny its existence, but we can say a concept doesn't correspond [Anderson,CA]
9. Objects / A. Existence of Objects / 5. Individuation / a. Individuation
Individuation was a problem for medievals, then Leibniz, then Frege, then Wittgenstein (somewhat) [Anderson,CA]
9. Objects / F. Identity among Objects / 7. Indiscernible Objects
The notion of 'property' is unclear for a logical version of the Identity of Indiscernibles [Anderson,CA]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Good art produces exaltation and detachment [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
The word 'beauty' leads to confusion, because it denotes distinct emotions [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 5. Natural Beauty
Our feeling for natural beauty is different from the aesthetic emotion of art [Bell,C]
We only see landscapes as artistic if we ignore their instrumental value [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
Visual form can create a sublime mental state [Bell,C]
21. Aesthetics / B. Nature of Art / 1. Defining Art
Art is the expression of an emotion for ultimate reality [Bell,C]
Aestheticism invites artist to create beauty, but with no indication of how to do it [Bell,C]
21. Aesthetics / B. Nature of Art / 2. Art as Form
Only artists can discern significant form; other people must look to art to find it [Bell,C, by Gardner]
Maybe significant form gives us a feeling for ultimate reality [Bell,C]
Significant form is the essence of art, which I believe expresses an emotion about reality [Bell,C]
'Form' is visual relations, and it is 'significant' if it moves us aesthetically; art needs both [Bell,C, by Feagin]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
The only expression art could have is the emotion resulting from pure form [Bell,C]
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
Mere copies of pictures are not significant - unless the copies are very exact [Bell,C]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
Art is distinguished by its aesthetic emotion, which produces appropriate form [Bell,C]
21. Aesthetics / C. Artistic Issues / 6. Value of Art
Aesthetic contemplation is the best and most intense mental state [Bell,C]
Aesthetic experience is an exaltation which increases the possibilities of life [Bell,C]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
Musical performance can reveal a range of virtues [Damon of Ath.]
Only artistic qualities matter in art, because they also have the highest moral value [Bell,C]
29. Religion / D. Religious Issues / 1. Religious Commitment / a. Religious Belief
Religion sees infinite value in some things, and irrelevance in the rest [Bell,C]