Combining Texts

All the ideas for 'fragments/reports', 'Art' and 'Reasoning and the Logic of Things'

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59 ideas

1. Philosophy / D. Nature of Philosophy / 2. Invocation to Philosophy
Everything interesting should be recorded, with records that can be rearranged [Peirce]
1. Philosophy / D. Nature of Philosophy / 5. Aims of Philosophy / a. Philosophy as worldly
Sciences concern existence, but philosophy also concerns potential existence [Peirce]
1. Philosophy / D. Nature of Philosophy / 5. Aims of Philosophy / e. Philosophy as reason
An idea on its own isn't an idea, because they are continuous systems [Peirce]
1. Philosophy / D. Nature of Philosophy / 6. Hopes for Philosophy
Philosophy is a search for real truth [Peirce]
1. Philosophy / E. Nature of Metaphysics / 1. Nature of Metaphysics
Metaphysics is pointless without exact modern logic [Peirce]
1. Philosophy / E. Nature of Metaphysics / 5. Metaphysics beyond Science
Metaphysics is the science of both experience, and its general laws and types [Peirce]
1. Philosophy / E. Nature of Metaphysics / 6. Metaphysics as Conceptual
Metaphysical reasoning is simple enough, but the concepts are very hard [Peirce]
1. Philosophy / F. Analytic Philosophy / 6. Logical Analysis
Metaphysics is turning into logic, and logic is becoming mathematics [Peirce]
3. Truth / A. Truth Problems / 6. Verisimilitude
The one unpardonable offence in reasoning is to block the route to further truth [Peirce]
3. Truth / E. Pragmatic Truth / 1. Pragmatic Truth
'Holding for true' is either practical commitment, or provisional theory [Peirce]
5. Theory of Logic / B. Logical Consequence / 4. Semantic Consequence |=
Deduction is true when the premises facts necessarily make the conclusion fact true [Peirce]
5. Theory of Logic / C. Ontology of Logic / 1. Ontology of Logic
Our research always hopes that reality embodies the logic we are employing [Peirce]
5. Theory of Logic / E. Structures of Logic / 6. Relations in Logic
The logic of relatives relies on objects built of any relations (rather than on classes) [Peirce]
6. Mathematics / C. Sources of Mathematics / 10. Constructivism / c. Conceptualism
We now know that mathematics only studies hypotheses, not facts [Peirce]
7. Existence / D. Theories of Reality / 2. Realism
Realism is the belief that there is something in the being of things corresponding to our reasoning [Peirce]
There may be no reality; it's just our one desperate hope of knowing anything [Peirce]
10. Modality / B. Possibility / 7. Chance
Objective chance is the property of a distribution [Peirce]
10. Modality / B. Possibility / 8. Conditionals / e. Supposition conditionals
In ordinary language a conditional statement assumes that the antecedent is true [Peirce]
11. Knowledge Aims / A. Knowledge / 4. Belief / c. Aim of beliefs
We act on 'full belief' in a crisis, but 'opinion' only operates for trivial actions [Peirce]
12. Knowledge Sources / D. Empiricism / 2. Associationism
We talk of 'association by resemblance' but that is wrong: the association constitutes the resemblance [Peirce]
13. Knowledge Criteria / B. Internal Justification / 3. Evidentialism / a. Evidence
Scientists will give up any conclusion, if experience opposes it [Peirce]
14. Science / A. Basis of Science / 2. Demonstration
If each inference slightly reduced our certainty, science would soon be in trouble [Peirce]
14. Science / B. Scientific Theories / 1. Scientific Theory
I classify science by level of abstraction; principles derive from above, and data from below [Peirce]
14. Science / C. Induction / 2. Aims of Induction
'Induction' doesn't capture Greek 'epagoge', which is singulars in a mass producing the general [Peirce]
14. Science / C. Induction / 3. Limits of Induction
Induction can never prove that laws have no exceptions [Peirce]
The worst fallacy in induction is generalising one recondite property from a sample [Peirce]
How does induction get started? [Peirce]
14. Science / D. Explanation / 4. Explanation Doubts / b. Rejecting explanation
Men often answer inner 'whys' by treating unconscious instincts as if they were reasons [Peirce]
15. Nature of Minds / A. Nature of Mind / 7. Animal Minds
We may think animals reason very little, but they hardly ever make mistakes! [Peirce]
15. Nature of Minds / C. Capacities of Minds / 5. Generalisation by mind
Generalisation is the great law of mind [Peirce]
Generalization is the true end of life [Peirce]
16. Persons / C. Self-Awareness / 2. Knowing the Self
'Know yourself' is not introspection; it is grasping how others see you [Peirce]
17. Mind and Body / A. Mind-Body Dualism / 3. Panpsychism
Whatever is First must be sentient [Peirce]
18. Thought / A. Modes of Thought / 5. Rationality / a. Rationality
Reasoning involves observation, experiment, and habituation [Peirce]
18. Thought / A. Modes of Thought / 5. Rationality / b. Human rationality
Everybody overrates their own reasoning, so it is clearly superficial [Peirce]
19. Language / C. Assigning Meanings / 9. Indexical Semantics
Indexicals are unusual words, because they stimulate the hearer to look around [Peirce]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Good art produces exaltation and detachment [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
The word 'beauty' leads to confusion, because it denotes distinct emotions [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 5. Natural Beauty
Our feeling for natural beauty is different from the aesthetic emotion of art [Bell,C]
We only see landscapes as artistic if we ignore their instrumental value [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
Visual form can create a sublime mental state [Bell,C]
21. Aesthetics / B. Nature of Art / 1. Defining Art
Aestheticism invites artist to create beauty, but with no indication of how to do it [Bell,C]
Art is the expression of an emotion for ultimate reality [Bell,C]
21. Aesthetics / B. Nature of Art / 2. Art as Form
Only artists can discern significant form; other people must look to art to find it [Bell,C, by Gardner]
Maybe significant form gives us a feeling for ultimate reality [Bell,C]
Significant form is the essence of art, which I believe expresses an emotion about reality [Bell,C]
'Form' is visual relations, and it is 'significant' if it moves us aesthetically; art needs both [Bell,C, by Feagin]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
The only expression art could have is the emotion resulting from pure form [Bell,C]
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
Mere copies of pictures are not significant - unless the copies are very exact [Bell,C]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
Art is distinguished by its aesthetic emotion, which produces appropriate form [Bell,C]
21. Aesthetics / C. Artistic Issues / 6. Value of Art
Aesthetic contemplation is the best and most intense mental state [Bell,C]
Aesthetic experience is an exaltation which increases the possibilities of life [Bell,C]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
Only artistic qualities matter in art, because they also have the highest moral value [Bell,C]
Musical performance can reveal a range of virtues [Damon of Ath.]
23. Ethics / D. Deontological Ethics / 2. Duty
People should follow what lies before them, and is within their power [Peirce]
25. Social Practice / E. Policies / 5. Education / b. Education principles
We are not inspired by other people's knowledge; a sense of our ignorance motivates study [Peirce]
26. Natural Theory / B. Natural Kinds / 1. Natural Kinds
Chemists rely on a single experiment to establish a fact; repetition is pointless [Peirce]
26. Natural Theory / D. Laws of Nature / 1. Laws of Nature
Our laws of nature may be the result of evolution [Peirce]
29. Religion / D. Religious Issues / 1. Religious Commitment / a. Religious Belief
Religion sees infinite value in some things, and irrelevance in the rest [Bell,C]