Combining Texts

All the ideas for 'fragments/reports', 'Art' and 'works'

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30 ideas

1. Philosophy / E. Nature of Metaphysics / 3. Metaphysical Systems
Super-ordinate disciplines give laws or principles; subordinate disciplines give concrete cases [Peirce, by Atkin]
3. Truth / E. Pragmatic Truth / 1. Pragmatic Truth
Pragmatic 'truth' is a term to cover the many varied aims of enquiry [Peirce, by Misak]
Peirce did not think a belief was true if it was useful [Peirce, by Misak]
If truth is the end of enquiry, what if it never ends, or ends prematurely? [Atkin on Peirce]
5. Theory of Logic / C. Ontology of Logic / 3. If-Thenism
Pure mathematics deals only with hypotheses, of which the reality does not matter [Peirce]
5. Theory of Logic / D. Assumptions for Logic / 1. Bivalence
Bivalence is a regulative assumption of enquiry - not a law of logic [Peirce, by Misak]
7. Existence / D. Theories of Reality / 3. Reality
The real is the idea in which the community ultimately settles down [Peirce]
8. Modes of Existence / A. Relations / 1. Nature of Relations
Peirce and others began the mapping out of relations [Peirce, by Hart,WD]
8. Modes of Existence / C. Powers and Dispositions / 6. Dispositions / d. Dispositions as occurrent
Peirce's later realism about possibilities and generalities went beyond logical positivism [Peirce, by Atkin]
10. Modality / E. Possible worlds / 1. Possible Worlds / d. Possible worlds actualism
The possible can only be general, and the force of actuality is needed to produce a particular [Peirce]
11. Knowledge Aims / B. Certain Knowledge / 3. Fallibilism
Inquiry is not standing on bedrock facts, but standing in hope on a shifting bog [Peirce]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Good art produces exaltation and detachment [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
The word 'beauty' leads to confusion, because it denotes distinct emotions [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 5. Natural Beauty
Our feeling for natural beauty is different from the aesthetic emotion of art [Bell,C]
We only see landscapes as artistic if we ignore their instrumental value [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
Visual form can create a sublime mental state [Bell,C]
21. Aesthetics / B. Nature of Art / 1. Defining Art
Art is the expression of an emotion for ultimate reality [Bell,C]
Aestheticism invites artist to create beauty, but with no indication of how to do it [Bell,C]
21. Aesthetics / B. Nature of Art / 2. Art as Form
Only artists can discern significant form; other people must look to art to find it [Bell,C, by Gardner]
Maybe significant form gives us a feeling for ultimate reality [Bell,C]
Significant form is the essence of art, which I believe expresses an emotion about reality [Bell,C]
'Form' is visual relations, and it is 'significant' if it moves us aesthetically; art needs both [Bell,C, by Feagin]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
The only expression art could have is the emotion resulting from pure form [Bell,C]
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
Mere copies of pictures are not significant - unless the copies are very exact [Bell,C]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
Art is distinguished by its aesthetic emotion, which produces appropriate form [Bell,C]
21. Aesthetics / C. Artistic Issues / 6. Value of Art
Aesthetic contemplation is the best and most intense mental state [Bell,C]
Aesthetic experience is an exaltation which increases the possibilities of life [Bell,C]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
Musical performance can reveal a range of virtues [Damon of Ath.]
Only artistic qualities matter in art, because they also have the highest moral value [Bell,C]
29. Religion / D. Religious Issues / 1. Religious Commitment / a. Religious Belief
Religion sees infinite value in some things, and irrelevance in the rest [Bell,C]