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All the ideas for 'fragments/reports', 'Principia Ethica' and 'The Philosophy of Art (2nd ed)'

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39 ideas

1. Philosophy / F. Analytic Philosophy / 3. Analysis of Preconditions
'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S]
2. Reason / D. Definition / 1. Definitions
A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S]
2. Reason / D. Definition / 13. Against Definition
Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Aesthetic experience involves perception, but also imagination and understanding [Davies,S]
21. Aesthetics / A. Aesthetic Experience / 3. Taste
The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
The beautiful is whatever it is intrinsically good to admire [Moore,GE]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S]
21. Aesthetics / B. Nature of Art / 1. Defining Art
The idea that art forms are linked into a single concept began in the 1740s [Davies,S]
Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S]
'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
Music may be expressive by being 'associated' with other emotional words or events [Davies,S]
It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S]
21. Aesthetics / B. Nature of Art / 6. Art as Institution
The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S]
21. Aesthetics / B. Nature of Art / 8. The Arts / a. Music
Music is too definite to be put into words (not too indefinite!) [Davies,S]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S]
Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S]
The meaning is given by the audience's best guess at the author's intentions [Davies,S]
The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S]
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
Art that is multiply instanced may require at least one instance [Davies,S]
If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
Music isn't just sad because it makes the listener feel sad [Davies,S]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
Musical performance can reveal a range of virtues [Damon of Ath.]
If the depiction of evil is glorified, that is an artistic flaw [Davies,S]
It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S]
Immorality may or may not be an artistic defect [Davies,S]
A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S]
22. Metaethics / A. Ethics Foundations / 1. Nature of Ethics / b. Defining ethics
Moore tries to show that 'good' is indefinable, but doesn't understand what a definition is [MacIntyre on Moore,GE]
22. Metaethics / A. Ethics Foundations / 2. Source of Ethics / a. Idealistic ethics
The Open Question argument leads to anti-realism and the fact-value distinction [Boulter on Moore,GE]
The naturalistic fallacy claims that natural qualties can define 'good' [Moore,GE]
Moore cannot show why something being good gives us a reason for action [MacIntyre on Moore,GE]
Can learning to recognise a good friend help us to recognise a good watch? [MacIntyre on Moore,GE]
22. Metaethics / A. Ethics Foundations / 2. Source of Ethics / c. Ethical intuitionism
Moore's combination of antinaturalism with strong supervenience on the natural is incoherent [Hanna on Moore,GE]
Despite Moore's caution, non-naturalists incline towards intuitionism [Moore,GE, by Smith,M]
22. Metaethics / B. Value / 1. Nature of Value / c. Objective value
We should ask what we would judge to be good if it existed in absolute isolation [Moore,GE]
22. Metaethics / C. The Good / 1. Goodness / a. Form of the Good
It is always an open question whether anything that is natural is good [Moore,GE]
22. Metaethics / C. The Good / 1. Goodness / b. Types of good
The three main values are good, right and beauty [Moore,GE, by Ross]
22. Metaethics / C. The Good / 1. Goodness / c. Right and good
For Moore, 'right' is what produces good [Moore,GE, by Ross]
'Right' means 'cause of good result' (hence 'useful'), so the end does justify the means [Moore,GE]
23. Ethics / E. Utilitarianism / 1. Utilitarianism
Relationships imply duties to people, not merely the obligation to benefit them [Ross on Moore,GE]