Combining Texts

All the ideas for 'fragments/reports', 'Externalism/Internalism' and 'Art and Its Objects'

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26 ideas

8. Modes of Existence / E. Nominalism / 5. Class Nominalism
Classes rarely share properties with their members - unlike universals and types [Wollheim]
11. Knowledge Aims / A. Knowledge / 1. Knowledge
Maybe there is plain 'animal' knowledge, and clearly justified 'reflective' knowledge [Vahid]
13. Knowledge Criteria / A. Justification Problems / 1. Justification / a. Justification issues
Epistemic is normally marked out from moral or pragmatic justifications by its truth-goal [Vahid]
13. Knowledge Criteria / A. Justification Problems / 3. Internal or External / a. Pro-internalism
'Mentalist' internalism seems to miss the main point, if it might not involve an agent's access [Vahid]
Strong access internalism needs actual awareness; weak versions need possibility of access [Vahid]
Maybe we need access to our justification, and also to know why it justifies [Vahid]
13. Knowledge Criteria / A. Justification Problems / 3. Internal or External / b. Pro-externalism
Internalism in epistemology over-emphasises deliberation about beliefs [Vahid]
13. Knowledge Criteria / C. External Justification / 1. External Justification
Externalism may imply that identical mental states might go with different justifications [Vahid]
13. Knowledge Criteria / C. External Justification / 4. Tracking the Facts
With a counterfactual account of the causal theory, we get knowledge as tracking or sensitive to truth [Vahid]
13. Knowledge Criteria / C. External Justification / 10. Anti External Justification
Externalism makes the acquisition of knowledge too easy? [Vahid]
15. Nature of Minds / C. Capacities of Minds / 4. Objectification
We often treat a type as if it were a sort of token [Wollheim]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Interpretation is performance for some arts, and critical for all arts [Wollheim]
A love of nature must precede a love of art [Wollheim]
21. Aesthetics / B. Nature of Art / 1. Defining Art
A criterion of identity for works of art would be easier than a definition [Wollheim]
21. Aesthetics / B. Nature of Art / 2. Art as Form
If beauty needs organisation, then totally simple things can't be beautiful [Wollheim]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
Some say art must have verbalisable expression, and others say the opposite! [Wollheim]
It is claimed that the expressive properties of artworks are non-physical [Wollheim]
21. Aesthetics / B. Nature of Art / 6. Art as Institution
Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim]
The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim]
The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim]
The ideal theory of art neglects both the audience and the medium employed [Wollheim]
A musical performance has virtually the same features as the piece of music [Wollheim]
21. Aesthetics / B. Nature of Art / 8. The Arts / a. Music
An interpretation adds further properties to the generic piece of music [Wollheim]
21. Aesthetics / C. Artistic Issues / 3. Artistic Representation
A drawing only represents Napoleon if the artist intended it to [Wollheim]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
Musical performance can reveal a range of virtues [Damon of Ath.]