Combining Texts

All the ideas for 'fragments/reports', 'Logical Necessity: Some Issues' and 'Critique of Judgement I: Aesthetic'

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26 ideas

10. Modality / A. Necessity / 6. Logical Necessity
Logical necessity overrules all other necessities [McFetridge]
The fundamental case of logical necessity is the valid conclusion of an inference [McFetridge, by Hale]
In the McFetridge view, logical necessity means a consequent must be true if the antecedent is [McFetridge, by Hale]
Logical necessity requires that a valid argument be necessary [McFetridge]
Traditionally, logical necessity is the strongest, and entails any other necessities [McFetridge]
It is only logical necessity if there is absolutely no sense in which it could be false [McFetridge]
The mark of logical necessity is deduction from any suppositions whatever [McFetridge]
10. Modality / B. Possibility / 2. Epistemic possibility
We assert epistemic possibility without commitment to logical possibility [McFetridge]
10. Modality / C. Sources of Modality / 1. Sources of Necessity
Objectual modal realists believe in possible worlds; non-objectual ones rest it on the actual world [McFetridge]
10. Modality / C. Sources of Modality / 5. Modality from Actuality
Modal realists hold that necessities and possibilities are part of the totality of facts [McFetridge]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Kant gave form and status to aesthetics, and Hegel gave it content [Kant, by Scruton]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
The aesthetic attitude is a matter of disinterestedness [Kant, by Wollheim]
Only rational beings can experience beauty [Kant, by Scruton]
It is hard to see why we would have developed Kant's 'disinterested' aesthetic attitude [Cochrane on Kant]
21. Aesthetics / A. Aesthetic Experience / 3. Taste
With respect to the senses, taste is an entirely personal matter [Kant]
When we judge beauty, it isn't just personal; we judge on behalf of everybody [Kant]
Saying everyone has their own taste destroys the very idea of taste [Kant]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
Kant thinks beauty ignores its objects, because it is only 'form' engaging with mind [Cochrane on Kant]
The beautiful is not conceptualised as moral, but it symbolises or resembles goodness [Kant, by Murdoch]
Kant saw beauty as a sort of disinterested pleasure, which has become separate from the good [Kant, by Taylor,C]
Beauty is only judged in pure contemplation, and not with something else at stake [Kant]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
The mathematical sublime is immeasurable greatness; the dynamical sublime is overpowering [Kant, by Pinkard]
The sublime is a moral experience [Kant, by Gardner]
21. Aesthetics / C. Artistic Issues / 5. Objectivism in Art
Aesthetic values are not objectively valid, but we must treat them as if they are [Kant, by Scruton]
The judgement of beauty is not cognitive, but relates, via imagination, to pleasurable feelings [Kant]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
Musical performance can reveal a range of virtues [Damon of Ath.]