Combining Texts

All the ideas for 'fragments/reports', 'Logical Necessity' and 'The Intentional Fallacy'

expand these ideas     |    start again     |     specify just one area for these texts


18 ideas

4. Formal Logic / D. Modal Logic ML / 3. Modal Logic Systems / h. System S5
The logic of metaphysical necessity is S5 [Rumfitt]
5. Theory of Logic / B. Logical Consequence / 1. Logical Consequence
Soundness in argument varies with context, and may be achieved very informally indeed [Rumfitt]
There is a modal element in consequence, in assessing reasoning from suppositions [Rumfitt]
We reject deductions by bad consequence, so logical consequence can't be deduction [Rumfitt]
5. Theory of Logic / D. Assumptions for Logic / 3. Contradiction
Contradictions include 'This is red and not coloured', as well as the formal 'B and not-B' [Rumfitt]
5. Theory of Logic / H. Proof Systems / 2. Axiomatic Proof
Geometrical axioms in logic are nowadays replaced by inference rules (which imply the logical truths) [Rumfitt]
10. Modality / A. Necessity / 3. Types of Necessity
A distinctive type of necessity is found in logical consequence [Rumfitt, by Hale/Hoffmann,A]
10. Modality / A. Necessity / 6. Logical Necessity
Logical necessity is when 'necessarily A' implies 'not-A is contradictory' [Rumfitt]
A logically necessary statement need not be a priori, as it could be unknowable [Rumfitt]
Narrow non-modal logical necessity may be metaphysical, but real logical necessity is not [Rumfitt]
10. Modality / E. Possible worlds / 1. Possible Worlds / e. Against possible worlds
If a world is a fully determinate way things could have been, can anyone consider such a thing? [Rumfitt]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
Intentions either succeed or fail, so external evidence for them is always irrelevant [Wimsatt/Beardsley, by Davies,S]
The author's intentions are irrelevant to the judgement of a work's success [Wimsatt/Beardsley]
Poetry, unlike messages, can be successful without communicating intentions [Wimsatt/Beardsley]
The thoughts of a poem should be imputed to the dramatic speaker, and hardly at all to the poet [Wimsatt/Beardsley]
The intentional fallacy is a romantic one [Wimsatt/Beardsley]
Biography can reveal meanings and dramatic character, as well as possible intentions [Wimsatt/Beardsley]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
Musical performance can reveal a range of virtues [Damon of Ath.]