Combining Texts

All the ideas for 'fragments/reports', 'Reference and Definite Descriptions' and 'Art'

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27 ideas

5. Theory of Logic / F. Referring in Logic / 2. Descriptions / a. Descriptions
7760 Russell only uses descriptions attributively, and Strawson only referentially [Donnellan, by Lycan]
5. Theory of Logic / F. Referring in Logic / 2. Descriptions / b. Definite descriptions
5811 A definite description can have a non-referential use [Donnellan]
5812 Definite descriptions are 'attributive' if they say something about x, and 'referential' if they pick x out [Donnellan]
5814 'The x is F' only presumes that x exists; it does not actually entail the existence [Donnellan]
19. Language / B. Reference / 4. Descriptive Reference / b. Reference by description
10435 A definite description 'the F' is referential if the speaker could thereby be referring to something not-F [Donnellan, by Sainsbury]
10451 Donnellan is unclear whether the referential-attributive distinction is semantic or pragmatic [Bach on Donnellan]
5813 A description can successfully refer, even if its application to the subject is not believed [Donnellan]
19. Language / B. Reference / 5. Speaker's Reference
5815 Whether a definite description is referential or attributive depends on the speaker's intention [Donnellan]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
23928 Good art produces exaltation and detachment [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
23922 The word 'beauty' leads to confusion, because it denotes distinct emotions [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 5. Natural Beauty
23921 Our feeling for natural beauty is different from the aesthetic emotion of art [Bell,C]
23929 We only see landscapes as artistic if we ignore their instrumental value [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
23923 Visual form can create a sublime mental state [Bell,C]
21. Aesthetics / B. Nature of Art / 1. Defining Art
23932 Art is the expression of an emotion for ultimate reality [Bell,C]
23927 Aestheticism invites artist to create beauty, but with no indication of how to do it [Bell,C]
21. Aesthetics / B. Nature of Art / 2. Art as Form
8115 Only artists can discern significant form; other people must look to art to find it [Bell,C, by Gardner]
23924 Maybe significant form gives us a feeling for ultimate reality [Bell,C]
23931 Significant form is the essence of art, which I believe expresses an emotion about reality [Bell,C]
20434 'Form' is visual relations, and it is 'significant' if it moves us aesthetically; art needs both [Bell,C, by Feagin]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
23934 The only expression art could have is the emotion resulting from pure form [Bell,C]
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
23925 Mere copies of pictures are not significant - unless the copies are very exact [Bell,C]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
23926 Art is distinguished by its aesthetic emotion, which produces appropriate form [Bell,C]
21. Aesthetics / C. Artistic Issues / 6. Value of Art
23933 Aesthetic contemplation is the best and most intense mental state [Bell,C]
23935 Aesthetic experience is an exaltation which increases the possibilities of life [Bell,C]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
468 Musical performance can reveal a range of virtues [Damon of Ath.]
22691 Only artistic qualities matter in art, because they also have the highest moral value [Bell,C]
29. Religion / D. Religious Issues / 1. Religious Commitment / a. Religious Belief
23930 Religion sees infinite value in some things, and irrelevance in the rest [Bell,C]