Combining Texts

All the ideas for 'fragments/reports', 'Introductions to 'Aesthetics and the Phil of Art'' and 'Intro to 'Essays on Actions and Events''

expand these ideas     |    start again     |     specify just one area for these texts

7 ideas

17. Mind and Body / E. Mind as Physical / 5. Causal Argument
6383 Cause unites our picture of the universe; without it, mental and physical will separate [Davidson]
20. Action / B. Preliminaries of Action / 2. Willed Action / d. Weakness of will
6385 The causally strongest reason may not be the reason the actor judges to be best [Davidson]
20. Action / C. Motives for Action / 3. Acting on Reason / a. Practical reason
6384 The notion of cause is essential to acting for reasons, intentions, agency, akrasia, and free will [Davidson]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
20327 Modern attention has moved from the intrinsic properties of art to its relational properties [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 1. Defining Art
20326 Early 20th cent attempts at defining art focused on significant form, intuition, expression, unity [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
20330 The dualistic view says works of art are either abstract objects (types), or physical objects [Lamarque/Olson]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
468 Musical performance can reveal a range of virtues [Damon of Ath.]