14 ideas
| 8108 | Aesthetics presupposes a distinctive sort of experience, and a unified essence for art [Gardner] |
| 8112 | Art works originate in the artist's mind, and appreciation is re-creating this mental object [Gardner] |
| 8111 | Aesthetic objectivists must explain pleasure being essential, but not in the object [Gardner] |
| 468 | Musical performance can reveal a range of virtues [Damon of Ath.] |
| 8109 | Aesthetic judgements necessarily require first-hand experience, unlike moral judgements [Gardner] |
| 8388 | Causation is either direct realism, Humean reduction, non-Humean reduction or theoretical realism [Tooley] |
| 8389 | Causation distinctions: reductionism/realism; Humean/non-Humean states; observable/non-observable [Tooley] |
| 8393 | We can only reduce the direction of causation to the direction of time if we are realist about the latter [Tooley] |
| 8390 | Causation is directly observable in pressure on one's body, and in willed action [Tooley] |
| 8392 | Probabilist laws are compatible with effects always or never happening [Tooley] |
| 8399 | The actual cause may not be the most efficacious one [Tooley] |
| 8391 | In counterfactual worlds there are laws with no instances, so laws aren't supervenient on actuality [Tooley] |
| 8394 | Explaining causation in terms of laws can't explain the direction of causation [Tooley] |
| 8398 | Causation is a concept of a relation the same in all worlds, so it can't be a physical process [Tooley] |