Combining Texts

All the ideas for 'fragments/reports', 'Aesthetics' and 'Evidence'

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15 ideas

13. Knowledge Criteria / A. Justification Problems / 3. Internal or External / a. Pro-internalism
Internalists are much more interested in evidence than externalists are [McGrew]
13. Knowledge Criteria / B. Internal Justification / 3. Evidentialism / a. Evidence
Does spotting a new possibility count as evidence? [McGrew]
Absence of evidence proves nothing, and weird claims need special evidence [McGrew]
Every event is highly unlikely (in detail), but may be perfectly plausible [McGrew]
Criminal law needs two separate witnesses, but historians will accept one witness [McGrew]
Maybe all evidence consists of beliefs, rather than of facts [McGrew]
If all evidence is propositional, what is the evidence for the proposition? Do we face a regress? [McGrew]
Several unreliable witnesses can give good support, if they all say the same thing [McGrew]
13. Knowledge Criteria / B. Internal Justification / 3. Evidentialism / b. Evidentialism
Narrow evidentialism relies wholly on propositions; the wider form includes other items [McGrew]
14. Science / A. Basis of Science / 6. Falsification
Falsificationism would be naive if even a slight discrepancy in evidence killed a theory [McGrew]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Aesthetics presupposes a distinctive sort of experience, and a unified essence for art [Gardner]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
Art works originate in the artist's mind, and appreciation is re-creating this mental object [Gardner]
21. Aesthetics / C. Artistic Issues / 5. Objectivism in Art
Aesthetic objectivists must explain pleasure being essential, but not in the object [Gardner]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
Musical performance can reveal a range of virtues [Damon of Ath.]
22. Metaethics / B. Value / 1. Nature of Value / d. Subjective value
Aesthetic judgements necessarily require first-hand experience, unlike moral judgements [Gardner]