12 ideas
| 5062 | First: there must be reasons; Second: why anything at all?; Third: why this? [Leibniz] |
| 19377 | A monad and its body are living, so life is everywhere, and comes in infinite degrees [Leibniz] |
| 19353 | 'Perception' is basic internal representation, and 'apperception' is reflective knowledge of perception [Leibniz] |
| 5061 | Animals are semi-rational because they connect facts, but they don't see causes [Leibniz] |
| 5063 | Music charms, although its beauty is the harmony of numbers [Leibniz] |
| 20400 | Intentions either succeed or fail, so external evidence for them is always irrelevant [Wimsatt/Beardsley, by Davies,S] |
| 7266 | The author's intentions are irrelevant to the judgement of a work's success [Wimsatt/Beardsley] |
| 7267 | Poetry, unlike messages, can be successful without communicating intentions [Wimsatt/Beardsley] |
| 7268 | The thoughts of a poem should be imputed to the dramatic speaker, and hardly at all to the poet [Wimsatt/Beardsley] |
| 7269 | The intentional fallacy is a romantic one [Wimsatt/Beardsley] |
| 7271 | Biography can reveal meanings and dramatic character, as well as possible intentions [Wimsatt/Beardsley] |
| 468 | Musical performance can reveal a range of virtues [Damon of Ath.] |