18 ideas
9766 | Study vagueness first by its logic, then by its truth-conditions, and then its metaphysics [Fine,K] |
9775 | Excluded Middle, and classical logic, may fail for vague predicates [Fine,K] |
9771 | Logic holding between indefinite sentences is the core of all language [Fine,K] |
9768 | Vagueness is semantic, a deficiency of meaning [Fine,K] |
9776 | A thing might be vaguely vague, giving us higher-order vagueness [Fine,K] |
9767 | A vague sentence is only true for all ways of making it completely precise [Fine,K] |
9770 | Logical connectives cease to be truth-functional if vagueness is treated with three values [Fine,K] |
9772 | Meaning is both actual (determining instances) and potential (possibility of greater precision) [Fine,K] |
9773 | With the super-truth approach, the classical connectives continue to work [Fine,K] |
9774 | Borderline cases must be under our control, as capable of greater precision [Fine,K] |
9769 | Vagueness can be in predicates, names or quantifiers [Fine,K] |
20400 | Intentions either succeed or fail, so external evidence for them is always irrelevant [Wimsatt/Beardsley, by Davies,S] |
7266 | The author's intentions are irrelevant to the judgement of a work's success [Wimsatt/Beardsley] |
7267 | Poetry, unlike messages, can be successful without communicating intentions [Wimsatt/Beardsley] |
7268 | The thoughts of a poem should be imputed to the dramatic speaker, and hardly at all to the poet [Wimsatt/Beardsley] |
7269 | The intentional fallacy is a romantic one [Wimsatt/Beardsley] |
7271 | Biography can reveal meanings and dramatic character, as well as possible intentions [Wimsatt/Beardsley] |
468 | Musical performance can reveal a range of virtues [Damon of Ath.] |