Combining Texts

All the ideas for 'Sweet Dreams', 'Transworld Heir Lines' and 'Croce and Collingwood'

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15 ideas

5. Theory of Logic / C. Ontology of Logic / 1. Ontology of Logic
Logicians like their entities to exhibit a maximum degree of purity [Kaplan]
9. Objects / C. Structure of Objects / 7. Substratum
Models nicely separate particulars from their clothing, and logicians often accept that metaphysically [Kaplan]
10. Modality / E. Possible worlds / 3. Transworld Objects / a. Transworld identity
The simplest solution to transworld identification is to adopt bare particulars [Kaplan]
10. Modality / E. Possible worlds / 3. Transworld Objects / c. Counterparts
Unusual people may have no counterparts, or several [Kaplan]
Essence is a transworld heir line, rather than a collection of properties [Kaplan]
15. Nature of Minds / B. Features of Minds / 5. Qualia / c. Explaining qualia
Obviously there can't be a functional anaylsis of qualia if they are defined by intrinsic properties [Dennett]
16. Persons / E. Rejecting the Self / 4. Denial of the Self
The work done by the 'homunculus in the theatre' must be spread amongst non-conscious agencies [Dennett]
17. Mind and Body / E. Mind as Physical / 2. Reduction of Mind
Intelligent agents are composed of nested homunculi, of decreasing intelligence, ending in machines [Dennett]
17. Mind and Body / E. Mind as Physical / 3. Eliminativism
I don't deny consciousness; it just isn't what people think it is [Dennett]
18. Thought / B. Mechanics of Thought / 6. Artificial Thought / a. Artificial Intelligence
What matters about neuro-science is the discovery of the functional role of the chemistry [Dennett]
19. Language / A. Nature of Meaning / 8. Synonymy
Sentences might have the same sense when logically equivalent - or never have the same sense [Kaplan]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
Expression can be either necessary for art, or sufficient for art (or even both) [Kemp]
We don't already know what to express, and then seek means of expressing it [Kemp]
The horror expressed in some works of art could equallly be expressed by other means [Kemp]