Combining Texts

All the ideas for 'Brainstorms:Essays on Mind and Psychology', 'Truth-making and Correspondence' and 'The Intentional Fallacy'

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20 ideas

3. Truth / A. Truth Problems / 2. Defining Truth
If truths are just identical with facts, then truths will make themselves true [David]
3. Truth / B. Truthmakers / 2. Truthmaker Relation
Examples show that truth-making is just non-symmetric, not asymmetric [David]
3. Truth / B. Truthmakers / 4. Truthmaker Necessitarianism
It is assumed that a proposition is necessarily true if its truth-maker exists [David]
3. Truth / B. Truthmakers / 5. What Makes Truths / a. What makes truths
Two different propositions can have the same fact as truth-maker [David]
3. Truth / B. Truthmakers / 5. What Makes Truths / b. Objects make truths
What matters is truth-making (not truth-makers) [David]
3. Truth / B. Truthmakers / 11. Truthmaking and Correspondence
Correspondence is symmetric, while truth-making is taken to be asymmetric [David]
Correspondence is an over-ambitious attempt to explain truth-making [David]
Correspondence theorists see facts as the only truth-makers [David]
3. Truth / C. Correspondence Truth / 1. Correspondence Truth
Correspondence theory likes ideal languages, that reveal the structure of propositions [David]
3. Truth / C. Correspondence Truth / 2. Correspondence to Facts
One proposition can be made true by many different facts [David]
What makes a disjunction true is simpler than the disjunctive fact it names [David]
8. Modes of Existence / A. Relations / 4. Formal Relations / a. Types of relation
A reflexive relation entails that the relation can't be asymmetric [David]
15. Nature of Minds / B. Features of Minds / 4. Intentionality / b. Intentionality theories
Theories of intentionality presuppose rationality, so can't explain it [Dennett]
17. Mind and Body / B. Behaviourism / 3. Intentional Stance
Beliefs and desires aren't real; they are prediction techniques [Dennett]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
Intentions either succeed or fail, so external evidence for them is always irrelevant [Wimsatt/Beardsley, by Davies,S]
The author's intentions are irrelevant to the judgement of a work's success [Wimsatt/Beardsley]
The thoughts of a poem should be imputed to the dramatic speaker, and hardly at all to the poet [Wimsatt/Beardsley]
Poetry, unlike messages, can be successful without communicating intentions [Wimsatt/Beardsley]
The intentional fallacy is a romantic one [Wimsatt/Beardsley]
Biography can reveal meanings and dramatic character, as well as possible intentions [Wimsatt/Beardsley]