27 ideas
| 22701 | Jokes can sometimes be funny because they are offensive [Jacobson,D] |
| 4187 | 'There is nothing without a reason why it should be rather than not be' (a generalisation of 'Why?') [Schopenhauer] |
| 5791 | Reduction is either by elimination, or by explanation [Searle] |
| 5799 | Eliminative reduction needs a gap between appearance and reality, as in sunsets [Searle] |
| 5790 | A property is 'emergent' if it is caused by elements of a system, when the elements lack the property [Searle] |
| 4192 | All necessity arises from causation, which is conditioned; there is no absolute or unconditioned necessity [Schopenhauer] |
| 4190 | All understanding is an immediate apprehension of the causal relation [Schopenhauer] |
| 5792 | Explanation of how we unify our mental stimuli into a single experience is the 'binding problem' [Searle] |
| 5786 | A system is either conscious or it isn't, though the intensity varies a lot [Searle] |
| 5794 | Consciousness has a first-person ontology, which only exists from a subjective viewpoint [Searle] |
| 5795 | There isn't one consciousness (information-processing) which can be investigated, and another (phenomenal) which can't [Searle] |
| 5788 | The use of 'qualia' seems to imply that consciousness and qualia are separate [Searle] |
| 4191 | What we know in ourselves is not a knower but a will [Schopenhauer] |
| 21368 | The knot of the world is the use of 'I' to refer to both willing and knowing [Schopenhauer] |
| 5789 | I now think syntax is not in the physics, but in the eye of the beholder [Searle] |
| 5798 | Consciousness has a first-person ontology, so it cannot be reduced without omitting something [Searle] |
| 5787 | There is non-event causation between mind and brain, as between a table and its solidity [Searle] |
| 5797 | The pattern of molecules in the sea is much more complex than the complexity of brain neurons [Searle] |
| 5796 | If tree rings contain information about age, then age contains information about rings [Searle] |
| 22703 | We don't often respond to events in art as if they were real events [Jacobson,D] |
| 22702 | Audiences can be too moral [Jacobson,D] |
| 22696 | 'Autonomism' says the morality is irrelevant to the aesthetics [Jacobson,D] |
| 22697 | Moral defects of art can be among its aesthetic virtues [Jacobson,D] |
| 22700 | Immoral art encourages immoral emotions [Jacobson,D] |
| 22699 | Moderate moralism says moral qualities can sometimes also be aesthetic qualities [Jacobson,D] |
| 22698 | We can judge art ethically, or rate its ethical influence, or assess its quality via its ethics [Jacobson,D] |
| 4189 | Time may be defined as the possibility of mutually exclusive conditions of the same thing [Schopenhauer] |