48 ideas
| 16512 | Semantic facts are preferable to transcendental philosophical fiction [Wiggins] |
| 17529 | Maybe the concept needed under which things coincide must also yield a principle of counting [Wiggins] |
| 17530 | The sortal needed for identities may not always be sufficient to support counting [Wiggins] |
| 16523 | Realist Conceptualists accept that our interests affect our concepts [Wiggins] |
| 16524 | Conceptualism says we must use our individuating concepts to grasp reality [Wiggins] |
| 16526 | Animal classifications: the Emperor's, fabulous, innumerable, like flies, stray dogs, embalmed…. [Wiggins] |
| 16492 | Individuation needs accounts of identity, of change, and of singling out [Wiggins] |
| 16493 | Individuation can only be understood by the relation between things and thinkers [Wiggins] |
| 16496 | Singling out extends back and forward in time [Wiggins] |
| 16495 | The only singling out is singling out 'as' something [Wiggins] |
| 16501 | In Aristotle's sense, saying x falls under f is to say what x is [Wiggins] |
| 16506 | Every determinate thing falls under a sortal, which fixes its persistence [Wiggins] |
| 16509 | Natural kinds are well suited to be the sortals which fix substances [Wiggins] |
| 16514 | Artefacts are individuated by some matter having a certain function [Wiggins] |
| 16510 | Nominal essences don't fix membership, ignore evolution, and aren't contextual [Wiggins] |
| 16503 | 'What is it?' gives the kind, nature, persistence conditions and identity over time of a thing [Wiggins] |
| 16499 | A restored church is the same 'church', but not the same 'building' or 'brickwork' [Wiggins] |
| 16515 | A thing begins only once; for a clock, it is when its making is first completed [Wiggins] |
| 16517 | Priests prefer the working ship; antiquarians prefer the reconstruction [Wiggins] |
| 16498 | Identity cannot be defined, because definitions are identities [Wiggins] |
| 16497 | Leibniz's Law (not transitivity, symmetry, reflexivity) marks what is peculiar to identity [Wiggins] |
| 16502 | Identity is primitive [Wiggins] |
| 16521 | A is necessarily A, so if B is A, then B is also necessarily A [Wiggins] |
| 16505 | By the principle of Indiscernibility, a symmetrical object could only be half of itself! [Wiggins] |
| 16494 | We want to explain sameness as coincidence of substance, not as anything qualitative [Wiggins] |
| 16522 | It is hard or impossible to think of Caesar as not human [Wiggins] |
| 16525 | Our sortal concepts fix what we find in experience [Wiggins] |
| 16518 | We conceptualise objects, but they impinge on us [Wiggins] |
| 16511 | A 'conception' of a horse is a full theory of what it is (and not just the 'concept') [Wiggins] |
| 14080 | Are causal descriptions part of the causal theory of reference, or are they just metasemantic? [Kaplan, by Schaffer,J] |
| 23928 | Good art produces exaltation and detachment [Bell,C] |
| 23922 | The word 'beauty' leads to confusion, because it denotes distinct emotions [Bell,C] |
| 23921 | Our feeling for natural beauty is different from the aesthetic emotion of art [Bell,C] |
| 23929 | We only see landscapes as artistic if we ignore their instrumental value [Bell,C] |
| 23923 | Visual form can create a sublime mental state [Bell,C] |
| 23927 | Aestheticism invites artist to create beauty, but with no indication of how to do it [Bell,C] |
| 23932 | Art is the expression of an emotion for ultimate reality [Bell,C] |
| 8115 | Only artists can discern significant form; other people must look to art to find it [Bell,C, by Gardner] |
| 23924 | Maybe significant form gives us a feeling for ultimate reality [Bell,C] |
| 23931 | Significant form is the essence of art, which I believe expresses an emotion about reality [Bell,C] |
| 20434 | 'Form' is visual relations, and it is 'significant' if it moves us aesthetically; art needs both [Bell,C, by Feagin] |
| 23934 | The only expression art could have is the emotion resulting from pure form [Bell,C] |
| 23925 | Mere copies of pictures are not significant - unless the copies are very exact [Bell,C] |
| 23926 | Art is distinguished by its aesthetic emotion, which produces appropriate form [Bell,C] |
| 23933 | Aesthetic contemplation is the best and most intense mental state [Bell,C] |
| 23935 | Aesthetic experience is an exaltation which increases the possibilities of life [Bell,C] |
| 22691 | Only artistic qualities matter in art, because they also have the highest moral value [Bell,C] |
| 23930 | Religion sees infinite value in some things, and irrelevance in the rest [Bell,C] |