Combining Texts

All the ideas for 'Demonstratives', 'The Elements of Law' and 'Art'

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29 ideas

1. Philosophy / C. History of Philosophy / 4. Later European Philosophy / b. Seventeenth century philosophy
7396 Hobbes created English-language philosophy [Hobbes, by Tuck]
12. Knowledge Sources / B. Perception / 4. Sense Data / a. Sense-data theory
16638 The qualities of the world are mere appearances; reality is the motions which cause them [Hobbes]
12. Knowledge Sources / D. Empiricism / 1. Empiricism
16688 Evidence is conception, which is imagination, which proceeds from the senses [Hobbes]
7405 Experience can't prove universal truths [Hobbes]
19. Language / C. Assigning Meanings / 10. Two-Dimensional Semantics
14894 Indexicals have a 'character' (the standing meaning), and a 'content' (truth-conditions for one context) [Kaplan, by Macià/Garcia-Carpentiro]
14700 'Content' gives the standard modal profile, and 'character' gives rules for a context [Kaplan, by Schroeter]
20. Action / C. Motives for Action / 1. Acting on Desires
7408 It is an error that reason should control the passions, which give right guidance on their own [Hobbes, by Tuck]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
23928 Good art produces exaltation and detachment [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
23922 The word 'beauty' leads to confusion, because it denotes distinct emotions [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 5. Natural Beauty
23921 Our feeling for natural beauty is different from the aesthetic emotion of art [Bell,C]
23929 We only see landscapes as artistic if we ignore their instrumental value [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
23923 Visual form can create a sublime mental state [Bell,C]
21. Aesthetics / B. Nature of Art / 1. Defining Art
23932 Art is the expression of an emotion for ultimate reality [Bell,C]
23927 Aestheticism invites artist to create beauty, but with no indication of how to do it [Bell,C]
21. Aesthetics / B. Nature of Art / 2. Art as Form
8115 Only artists can discern significant form; other people must look to art to find it [Bell,C, by Gardner]
23924 Maybe significant form gives us a feeling for ultimate reality [Bell,C]
23931 Significant form is the essence of art, which I believe expresses an emotion about reality [Bell,C]
20434 'Form' is visual relations, and it is 'significant' if it moves us aesthetically; art needs both [Bell,C, by Feagin]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
23934 The only expression art could have is the emotion resulting from pure form [Bell,C]
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
23925 Mere copies of pictures are not significant - unless the copies are very exact [Bell,C]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
23926 Art is distinguished by its aesthetic emotion, which produces appropriate form [Bell,C]
21. Aesthetics / C. Artistic Issues / 6. Value of Art
23933 Aesthetic contemplation is the best and most intense mental state [Bell,C]
23935 Aesthetic experience is an exaltation which increases the possibilities of life [Bell,C]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
22691 Only artistic qualities matter in art, because they also have the highest moral value [Bell,C]
22. Metaethics / A. Ethics Foundations / 1. Nature of Ethics / d. Ethical theory
7407 Good and evil are what please us; goodness and badness the powers causing them [Hobbes]
22. Metaethics / A. Ethics Foundations / 2. Source of Ethics / j. Ethics by convention
7410 Self-preservation is basic, and people judge differently about that, implying ethical relativism [Hobbes, by Tuck]
22. Metaethics / C. The Good / 1. Goodness / c. Right and good
7409 Hobbes shifted from talk of 'the good' to talk of 'rights' [Hobbes, by Tuck]
28. God / C. Attitudes to God / 4. God Reflects Humanity
7411 The attributes of God just show our inability to conceive his nature [Hobbes]
29. Religion / D. Religious Issues / 1. Religious Commitment / a. Religious Belief
23930 Religion sees infinite value in some things, and irrelevance in the rest [Bell,C]