36 ideas
21226 | Husserl sees the ego as a monad, unifying presence, sense and intentional acts [Husserl, by Velarde-Mayol] |
9476 | If dispositions are more fundamental than causes, then they won't conceptually reduce to them [Bird on Lewis] |
8425 | For true counterfactuals, both antecedent and consequent true is closest to actuality [Lewis] |
21228 | Husserl's monads (egos) communicate, through acts of empathy. [Husserl, by Velarde-Mayol] |
21225 | The psychological ego is worldly, and the pure ego follows transcendental reduction [Husserl, by Velarde-Mayol] |
8424 | Determinism says there can't be two identical worlds up to a time, with identical laws, which then differ [Lewis] |
8420 | A proposition is a set of possible worlds where it is true [Lewis] |
23928 | Good art produces exaltation and detachment [Bell,C] |
23922 | The word 'beauty' leads to confusion, because it denotes distinct emotions [Bell,C] |
23921 | Our feeling for natural beauty is different from the aesthetic emotion of art [Bell,C] |
23929 | We only see landscapes as artistic if we ignore their instrumental value [Bell,C] |
23923 | Visual form can create a sublime mental state [Bell,C] |
23932 | Art is the expression of an emotion for ultimate reality [Bell,C] |
23927 | Aestheticism invites artist to create beauty, but with no indication of how to do it [Bell,C] |
8115 | Only artists can discern significant form; other people must look to art to find it [Bell,C, by Gardner] |
23924 | Maybe significant form gives us a feeling for ultimate reality [Bell,C] |
23931 | Significant form is the essence of art, which I believe expresses an emotion about reality [Bell,C] |
20434 | 'Form' is visual relations, and it is 'significant' if it moves us aesthetically; art needs both [Bell,C, by Feagin] |
23934 | The only expression art could have is the emotion resulting from pure form [Bell,C] |
23925 | Mere copies of pictures are not significant - unless the copies are very exact [Bell,C] |
23926 | Art is distinguished by its aesthetic emotion, which produces appropriate form [Bell,C] |
23933 | Aesthetic contemplation is the best and most intense mental state [Bell,C] |
23935 | Aesthetic experience is an exaltation which increases the possibilities of life [Bell,C] |
22691 | Only artistic qualities matter in art, because they also have the highest moral value [Bell,C] |
8405 | A theory of causation should explain why cause precedes effect, not take it for granted [Lewis, by Field,H] |
8427 | I reject making the direction of causation axiomatic, since that takes too much for granted [Lewis] |
10392 | It is just individious discrimination to pick out one cause and label it as 'the' cause [Lewis] |
8419 | The modern regularity view says a cause is a member of a minimal set of sufficient conditions [Lewis] |
8421 | Regularity analyses could make c an effect of e, or an epiphenomenon, or inefficacious, or pre-empted [Lewis] |
17525 | The counterfactual view says causes are necessary (rather than sufficient) for their effects [Lewis, by Bird] |
17524 | Lewis has basic causation, counterfactuals, and a general ancestral (thus handling pre-emption) [Lewis, by Bird] |
8397 | Counterfactual causation implies all laws are causal, which they aren't [Tooley on Lewis] |
8423 | My counterfactual analysis applies to particular cases, not generalisations [Lewis] |
8426 | One event causes another iff there is a causal chain from first to second [Lewis] |
4795 | Lewis's account of counterfactuals is fine if we know what a law of nature is, but it won't explain the latter [Cohen,LJ on Lewis] |
23930 | Religion sees infinite value in some things, and irrelevance in the rest [Bell,C] |