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All the ideas for 'Counterpart theory and Quant. Modal Logic', 'works' and 'The Intentional Fallacy'

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15 ideas

6. Mathematics / A. Nature of Mathematics / 5. The Infinite / k. Infinitesimals
Weierstrass eliminated talk of infinitesimals [Weierstrass, by Kitcher]
6. Mathematics / A. Nature of Mathematics / 5. The Infinite / l. Limits
Weierstrass made limits central, but the existence of limits still needed to be proved [Weierstrass, by Bostock]
9. Objects / D. Essence of Objects / 1. Essences of Objects
Aristotelian essentialism says essences are not relative to specification [Lewis]
10. Modality / A. Necessity / 7. Natural Necessity
Causal necessities hold in all worlds compatible with the laws of nature [Lewis]
10. Modality / E. Possible worlds / 3. Transworld Objects / b. Rigid designation
It doesn't take the whole of a possible Humphrey to win the election [Lewis]
10. Modality / E. Possible worlds / 3. Transworld Objects / c. Counterparts
Counterpart theory is bizarre, as no one cares what happens to a mere counterpart [Kripke on Lewis]
Counterparts are not the original thing, but resemble it more than other things do [Lewis]
If the closest resembler to you is in fact quite unlike you, then you have no counterpart [Lewis]
Essential attributes are those shared with all the counterparts [Lewis]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
Intentions either succeed or fail, so external evidence for them is always irrelevant [Wimsatt/Beardsley, by Davies,S]
The author's intentions are irrelevant to the judgement of a work's success [Wimsatt/Beardsley]
Poetry, unlike messages, can be successful without communicating intentions [Wimsatt/Beardsley]
The thoughts of a poem should be imputed to the dramatic speaker, and hardly at all to the poet [Wimsatt/Beardsley]
The intentional fallacy is a romantic one [Wimsatt/Beardsley]
Biography can reveal meanings and dramatic character, as well as possible intentions [Wimsatt/Beardsley]