36 ideas
| 19588 | The highest aim of philosophy is to combine all philosophies into a unity [Novalis] |
| 19598 | Philosophy relies on our whole system of learning, and can thus never be complete [Novalis] |
| 19586 | Philosophers feed on problems, hoping they are digestible, and spiced with paradox [Novalis] |
| 19587 | Philosophy aims to produce a priori an absolute and artistic world system [Novalis] |
| 19597 | Logic (the theory of relations) should be applied to mathematics [Novalis] |
| 9476 | If dispositions are more fundamental than causes, then they won't conceptually reduce to them [Bird on Lewis] |
| 20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
| 8425 | For true counterfactuals, both antecedent and consequent true is closest to actuality [Lewis] |
| 20338 | We often treat a type as if it were a sort of token [Wollheim] |
| 8424 | Determinism says there can't be two identical worlds up to a time, with identical laws, which then differ [Lewis] |
| 8420 | A proposition is a set of possible worlds where it is true [Lewis] |
| 20343 | A love of nature must precede a love of art [Wollheim] |
| 20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
| 20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
| 20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
| 20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
| 20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
| 20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
| 20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
| 20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
| 20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
| 20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
| 20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
| 20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
| 20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |
| 8405 | A theory of causation should explain why cause precedes effect, not take it for granted [Lewis, by Field,H] |
| 8427 | I reject making the direction of causation axiomatic, since that takes too much for granted [Lewis] |
| 10392 | It is just individious discrimination to pick out one cause and label it as 'the' cause [Lewis] |
| 8419 | The modern regularity view says a cause is a member of a minimal set of sufficient conditions [Lewis] |
| 8421 | Regularity analyses could make c an effect of e, or an epiphenomenon, or inefficacious, or pre-empted [Lewis] |
| 17525 | The counterfactual view says causes are necessary (rather than sufficient) for their effects [Lewis, by Bird] |
| 17524 | Lewis has basic causation, counterfactuals, and a general ancestral (thus handling pre-emption) [Lewis, by Bird] |
| 8397 | Counterfactual causation implies all laws are causal, which they aren't [Tooley on Lewis] |
| 8423 | My counterfactual analysis applies to particular cases, not generalisations [Lewis] |
| 8426 | One event causes another iff there is a causal chain from first to second [Lewis] |
| 4795 | Lewis's account of counterfactuals is fine if we know what a law of nature is, but it won't explain the latter [Cohen,LJ on Lewis] |