19 ideas
| 15547 | Negative existentials have 'totality facts' as truthmakers [Armstrong, by Lewis] |
| 15200 | How could change consist of a conjunction of changeless facts? [McTaggart, by Le Poidevin] |
| 14761 | Change is not just having two different qualities at different points in some series [McTaggart] |
| 15542 | All possibilities are recombinations of properties in the actual world [Armstrong, by Lewis] |
| 8124 | The highest feelings of mankind can only be transmitted by art [Tolstoy] |
| 8121 | Art is when one man uses external signs to hand on his feelings to another man [Tolstoy] |
| 8122 | True works of art transmit completely new feelings [Tolstoy] |
| 8123 | The purpose of art is to help mankind to evolve better, more socially beneficial feelings [Tolstoy] |
| 22710 | People estimate art according to their moral values [Tolstoy] |
| 8064 | We separate the concept of beauty from goodness, unlike the ancients [Tolstoy] |
| 8125 | The upper classes put beauty first, and thus freed themselves from morality [Tolstoy] |
| 2608 | For McTaggart time is seen either as fixed, or as relative to events [McTaggart, by Ayer] |
| 22936 | A-series time positions are contradictory, and yet all events occupy all of them! [McTaggart, by Le Poidevin] |
| 4231 | Time involves change, only the A-series explains change, but it involves contradictions, so time is unreal [McTaggart, by Lowe] |
| 8591 | There could be no time if nothing changed [McTaggart] |
| 22935 | The B-series can be inferred from the A-series, but not the other way round [McTaggart, by Le Poidevin] |
| 7802 | A-series uses past, present and future; B-series uses 'before' and 'after' [McTaggart, by Girle] |
| 4230 | A-series expressions place things in time, and their truth varies; B-series is relative, and always true [McTaggart, by Lowe] |
| 15199 | The B-series must depend on the A-series, because change must be explained [McTaggart, by Le Poidevin] |