Combining Texts

All the ideas for 'Philosophical Naturalism', 'fragments/reports' and 'Croce and Collingwood'

expand these ideas     |    start again     |     specify just one area for these texts


15 ideas

5. Theory of Logic / L. Paradox / 1. Paradox
If you know your father, but don't recognise your father veiled, you know and don't know the same person [Eubulides, by Dancy,R]
5. Theory of Logic / L. Paradox / 6. Paradoxes in Language / a. The Liar paradox
If you say truly that you are lying, you are lying [Eubulides, by Dancy,R]
5. Theory of Logic / L. Paradox / 6. Paradoxes in Language / b. The Heap paradox ('Sorites')
Removing one grain doesn't destroy a heap, so a heap can't be destroyed [Eubulides, by Dancy,R]
7. Existence / D. Theories of Reality / 5. Naturalism
Externalism may be the key idea in philosophical naturalism [Papineau]
17. Mind and Body / A. Mind-Body Dualism / 8. Dualism of Mind Critique
How does a dualist mind represent, exist outside space, and be transparent to itself? [Papineau]
17. Mind and Body / C. Functionalism / 8. Functionalism critique
Functionalism needs causation and intentionality to explain actions [Papineau]
17. Mind and Body / D. Property Dualism / 5. Supervenience of mind
Epiphenomenalism is supervenience without physicalism [Papineau]
Supervenience requires all mental events to have physical effects [Papineau]
17. Mind and Body / E. Mind as Physical / 1. Physical Mind
Knowing what it is like to be something only involves being (physically) that thing [Papineau]
17. Mind and Body / E. Mind as Physical / 7. Anti-Physicalism / b. Multiple realisability
If a mental state is multiply realisable, why does it lead to similar behaviour? [Papineau]
19. Language / F. Communication / 4. Private Language
The Private Language argument only means people may misjudge their experiences [Papineau]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
Expression can be either necessary for art, or sufficient for art (or even both) [Kemp]
We don't already know what to express, and then seek means of expressing it [Kemp]
The horror expressed in some works of art could equallly be expressed by other means [Kemp]