33 ideas
| 4901 | Truth has to be correspondence to facts, and a match between relations of ideas and relations in the world [Perry] |
| 13128 | 'Ultimate sortals' cannot explain ontological categories [Westerhoff on Wiggins] |
| 4885 | Identity is a very weak relation, which doesn't require interdefinability, or shared properties [Perry] |
| 4899 | Possible worlds thinking has clarified the logic of modality, but is problematic in epistemology [Perry] |
| 4898 | Possible worlds are indices for a language, or concrete realities, or abstract possibilities [Perry] |
| 4887 | We try to cause other things to occur by causing mental events to occur [Perry] |
| 4884 | Brain states must be in my head, and yet the pain seems to be in my hand [Perry] |
| 4888 | It seems plausible that many animals have experiences without knowing about them [Perry] |
| 4891 | If epiphenomenalism just says mental events are effects but not causes, it is consistent with physicalism [Perry] |
| 4900 | Prior to Kripke, the mind-brain identity theory usually claimed that the identity was contingent [Perry] |
| 4892 | If physicalists stick with identity (not supervenience), Martian pain will not be like ours [Perry] |
| 4889 | Although we may classify ideas by content, we individuate them differently, as their content can change [Perry] |
| 4896 | The intension of an expression is a function from possible worlds to an appropriate extension [Perry] |
| 4897 | A proposition is a set of possible worlds for which its intension delivers truth [Perry] |
| 4890 | A sharp analytic/synthetic line can rarely be drawn, but some concepts are central to thought [Perry] |
| 23928 | Good art produces exaltation and detachment [Bell,C] |
| 23922 | The word 'beauty' leads to confusion, because it denotes distinct emotions [Bell,C] |
| 23921 | Our feeling for natural beauty is different from the aesthetic emotion of art [Bell,C] |
| 23929 | We only see landscapes as artistic if we ignore their instrumental value [Bell,C] |
| 23923 | Visual form can create a sublime mental state [Bell,C] |
| 23932 | Art is the expression of an emotion for ultimate reality [Bell,C] |
| 23927 | Aestheticism invites artist to create beauty, but with no indication of how to do it [Bell,C] |
| 8115 | Only artists can discern significant form; other people must look to art to find it [Bell,C, by Gardner] |
| 23924 | Maybe significant form gives us a feeling for ultimate reality [Bell,C] |
| 23931 | Significant form is the essence of art, which I believe expresses an emotion about reality [Bell,C] |
| 20434 | 'Form' is visual relations, and it is 'significant' if it moves us aesthetically; art needs both [Bell,C, by Feagin] |
| 23934 | The only expression art could have is the emotion resulting from pure form [Bell,C] |
| 23925 | Mere copies of pictures are not significant - unless the copies are very exact [Bell,C] |
| 23926 | Art is distinguished by its aesthetic emotion, which produces appropriate form [Bell,C] |
| 23933 | Aesthetic contemplation is the best and most intense mental state [Bell,C] |
| 23935 | Aesthetic experience is an exaltation which increases the possibilities of life [Bell,C] |
| 22691 | Only artistic qualities matter in art, because they also have the highest moral value [Bell,C] |
| 23930 | Religion sees infinite value in some things, and irrelevance in the rest [Bell,C] |