30 ideas
16405 | To understand a name (unlike a description) picking the thing out is sufficient? [Stalnaker] |
13128 | 'Ultimate sortals' cannot explain ontological categories [Westerhoff on Wiggins] |
16407 | Possible worlds allow separating all the properties, without hitting a bare particular [Stalnaker] |
16397 | If it might be true, it might be true in particular ways, and possible worlds describe such ways [Stalnaker] |
16399 | Possible worlds are ontologically neutral, but a commitment to possibilities remains [Stalnaker] |
16398 | Possible worlds allow discussion of modality without controversial modal auxiliaries [Stalnaker] |
16396 | Kripke's possible worlds are methodological, not metaphysical [Stalnaker] |
16408 | Rigid designation seems to presuppose that differing worlds contain the same individuals [Stalnaker] |
16406 | If you don't know what you say you can't mean it; what people say usually fits what they mean [Stalnaker] |
16404 | In the use of a name, many individuals are causally involved, but they aren't all the referent [Stalnaker] |
16403 | 'Descriptive' semantics gives a system for a language; 'foundational' semantics give underlying facts [Stalnaker] |
16401 | To understand an utterance, you must understand what the world would be like if it is true [Stalnaker] |
23928 | Good art produces exaltation and detachment [Bell,C] |
23922 | The word 'beauty' leads to confusion, because it denotes distinct emotions [Bell,C] |
23921 | Our feeling for natural beauty is different from the aesthetic emotion of art [Bell,C] |
23929 | We only see landscapes as artistic if we ignore their instrumental value [Bell,C] |
23923 | Visual form can create a sublime mental state [Bell,C] |
23932 | Art is the expression of an emotion for ultimate reality [Bell,C] |
23927 | Aestheticism invites artist to create beauty, but with no indication of how to do it [Bell,C] |
8115 | Only artists can discern significant form; other people must look to art to find it [Bell,C, by Gardner] |
23924 | Maybe significant form gives us a feeling for ultimate reality [Bell,C] |
23931 | Significant form is the essence of art, which I believe expresses an emotion about reality [Bell,C] |
20434 | 'Form' is visual relations, and it is 'significant' if it moves us aesthetically; art needs both [Bell,C, by Feagin] |
23934 | The only expression art could have is the emotion resulting from pure form [Bell,C] |
23925 | Mere copies of pictures are not significant - unless the copies are very exact [Bell,C] |
23926 | Art is distinguished by its aesthetic emotion, which produces appropriate form [Bell,C] |
23933 | Aesthetic contemplation is the best and most intense mental state [Bell,C] |
23935 | Aesthetic experience is an exaltation which increases the possibilities of life [Bell,C] |
22691 | Only artistic qualities matter in art, because they also have the highest moral value [Bell,C] |
23930 | Religion sees infinite value in some things, and irrelevance in the rest [Bell,C] |