Combining Texts

All the ideas for 'Identity and Spatio-Temporal Continuity', 'The Concept of Mind' and 'The Intentional Fallacy'

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18 ideas

1. Philosophy / D. Nature of Philosophy / 5. Aims of Philosophy / a. Philosophy as worldly
Philosophy aims to become more disciplined about categories [Ryle]
8. Modes of Existence / C. Powers and Dispositions / 6. Dispositions / e. Dispositions as potential
A dispositional property is not a state, but a liability to be in some state, given a condition [Ryle]
8. Modes of Existence / C. Powers and Dispositions / 7. Against Powers
No physical scientist now believes in an occult force-exerting agency [Ryle]
9. Objects / A. Existence of Objects / 5. Individuation / e. Individuation by kind
'Ultimate sortals' cannot explain ontological categories [Westerhoff on Wiggins]
15. Nature of Minds / A. Nature of Mind / 3. Mental Causation
Can one movement have a mental and physical cause? [Ryle]
16. Persons / C. Self-Awareness / 3. Limits of Introspection
Reporting on myself has the same problems as reporting on you [Ryle]
We cannot introspect states of anger or panic [Ryle]
16. Persons / F. Free Will / 5. Against Free Will
I cannot prepare myself for the next thought I am going to think [Ryle]
17. Mind and Body / A. Mind-Body Dualism / 1. Dualism
Dualism is a category mistake [Ryle]
17. Mind and Body / B. Behaviourism / 2. Potential Behaviour
Behaviour depends on desires as well as beliefs [Chalmers on Ryle]
You can't explain mind as dispositions, if they aren't real [Benardete,JA on Ryle]
17. Mind and Body / B. Behaviourism / 4. Behaviourism Critique
How can behaviour be the cause of behaviour? [Chalmers on Ryle]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
Intentions either succeed or fail, so external evidence for them is always irrelevant [Wimsatt/Beardsley, by Davies,S]
The author's intentions are irrelevant to the judgement of a work's success [Wimsatt/Beardsley]
Poetry, unlike messages, can be successful without communicating intentions [Wimsatt/Beardsley]
The thoughts of a poem should be imputed to the dramatic speaker, and hardly at all to the poet [Wimsatt/Beardsley]
The intentional fallacy is a romantic one [Wimsatt/Beardsley]
Biography can reveal meanings and dramatic character, as well as possible intentions [Wimsatt/Beardsley]