Combining Texts

All the ideas for 'Identity and Spatio-Temporal Continuity', 'Introductions to 'Aesthetics and the Phil of Art'' and 'Logic (Port-Royal Art of Thinking)'

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10 ideas

7. Existence / C. Structure of Existence / 7. Abstract/Concrete / b. Levels of abstraction
10502 We can rise by degrees through abstraction, with higher levels representing more things [Arnauld,A/Nicole,P]
9. Objects / A. Existence of Objects / 5. Individuation / e. Individuation by kind
13128 'Ultimate sortals' cannot explain ontological categories [Westerhoff on Wiggins]
12. Knowledge Sources / B. Perception / 3. Representation
18258 We can only know the exterior world via our ideas [Arnauld,A/Nicole,P]
14. Science / D. Explanation / 2. Types of Explanation / k. Explanations by essence
16784 Forms make things distinct and explain the properties, by pure form, or arrangement of parts [Arnauld,A/Nicole,P]
15. Nature of Minds / C. Capacities of Minds / 3. Abstraction by mind
10499 We know by abstraction because we only understand composite things a part at a time [Arnauld,A/Nicole,P]
15. Nature of Minds / C. Capacities of Minds / 5. Generalisation by mind
10501 A triangle diagram is about all triangles, if some features are ignored [Arnauld,A/Nicole,P]
15. Nature of Minds / C. Capacities of Minds / 6. Idealisation
10500 No one denies that a line has width, but we can just attend to its length [Arnauld,A/Nicole,P]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
20327 Modern attention has moved from the intrinsic properties of art to its relational properties [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 1. Defining Art
20326 Early 20th cent attempts at defining art focused on significant form, intuition, expression, unity [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
20330 The dualistic view says works of art are either abstract objects (types), or physical objects [Lamarque/Olson]