Combining Texts

All the ideas for 'Identity and Spatio-Temporal Continuity', 'The Logic of What Might Have Been' and 'Art'

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46 ideas

4. Formal Logic / D. Modal Logic ML / 2. Tools of Modal Logic / b. Terminology of ML
14684 A world is 'accessible' to another iff the first is possible according to the second [Salmon,N]
4. Formal Logic / D. Modal Logic ML / 3. Modal Logic Systems / d. System T
14669 For metaphysics, T may be the only correct system of modal logic [Salmon,N]
4. Formal Logic / D. Modal Logic ML / 3. Modal Logic Systems / f. System B
14667 System B has not been justified as fallacy-free for reasoning on what might have been [Salmon,N]
14668 In B it seems logically possible to have both p true and p is necessarily possibly false [Salmon,N]
14692 System B implies that possibly-being-realized is an essential property of the world [Salmon,N]
4. Formal Logic / D. Modal Logic ML / 3. Modal Logic Systems / g. System S4
14671 What is necessary is not always necessarily necessary, so S4 is fallacious [Salmon,N]
4. Formal Logic / D. Modal Logic ML / 3. Modal Logic Systems / h. System S5
14686 S5 modal logic ignores accessibility altogether [Salmon,N]
14691 S5 believers say that-things-might-have-been-that-way is essential to ways things might have been [Salmon,N]
14693 The unsatisfactory counterpart-theory allows the retention of S5 [Salmon,N]
4. Formal Logic / D. Modal Logic ML / 4. Alethic Modal Logic
14670 Metaphysical (alethic) modal logic concerns simple necessity and possibility (not physical, epistemic..) [Salmon,N]
9. Objects / A. Existence of Objects / 5. Individuation / e. Individuation by kind
13128 'Ultimate sortals' cannot explain ontological categories [Westerhoff on Wiggins]
9. Objects / D. Essence of Objects / 15. Against Essentialism
14678 Any property is attached to anything in some possible world, so I am a radical anti-essentialist [Salmon,N]
10. Modality / A. Necessity / 3. Types of Necessity
14680 Logical possibility contains metaphysical possibility, which contains nomological possibility [Salmon,N]
10. Modality / A. Necessity / 5. Metaphysical Necessity
14690 In the S5 account, nested modalities may be unseen, but they are still there [Salmon,N]
14677 Metaphysical necessity is said to be unrestricted necessity, true in every world whatsoever [Salmon,N]
14679 Bizarre identities are logically but not metaphysically possible, so metaphysical modality is restricted [Salmon,N]
14688 Without impossible worlds, the unrestricted modality that is metaphysical has S5 logic [Salmon,N]
14685 Metaphysical necessity is NOT truth in all (unrestricted) worlds; necessity comes first, and is restricted [Salmon,N]
10. Modality / A. Necessity / 6. Logical Necessity
14681 Logical necessity is free of constraints, and may accommodate all of S5 logic [Salmon,N]
10. Modality / A. Necessity / 7. Natural Necessity
14676 Nomological necessity is expressed with intransitive relations in modal semantics [Salmon,N]
10. Modality / C. Sources of Modality / 5. Modality from Actuality
14689 Necessity and possibility are not just necessity and possibility according to the actual world [Salmon,N]
10. Modality / E. Possible worlds / 1. Possible Worlds / b. Impossible worlds
14674 Impossible worlds are also ways for things to be [Salmon,N]
14682 Denial of impossible worlds involves two different confusions [Salmon,N]
14687 Without impossible worlds, how things might have been is the only way for things to be [Salmon,N]
10. Modality / E. Possible worlds / 1. Possible Worlds / e. Against possible worlds
14683 Possible worlds rely on what might have been, so they can' be used to define or analyse modality [Salmon,N]
10. Modality / E. Possible worlds / 2. Nature of Possible Worlds / a. Nature of possible worlds
14672 Possible worlds are maximal abstract ways that things might have been [Salmon,N]
14675 Possible worlds just have to be 'maximal', but they don't have to be consistent [Salmon,N]
10. Modality / E. Possible worlds / 2. Nature of Possible Worlds / c. Worlds as propositions
14673 You can't define worlds as sets of propositions, and then define propositions using worlds [Salmon,N]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
23928 Good art produces exaltation and detachment [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
23922 The word 'beauty' leads to confusion, because it denotes distinct emotions [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 5. Natural Beauty
23929 We only see landscapes as artistic if we ignore their instrumental value [Bell,C]
23921 Our feeling for natural beauty is different from the aesthetic emotion of art [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
23923 Visual form can create a sublime mental state [Bell,C]
21. Aesthetics / B. Nature of Art / 1. Defining Art
23927 Aestheticism invites artist to create beauty, but with no indication of how to do it [Bell,C]
23932 Art is the expression of an emotion for ultimate reality [Bell,C]
21. Aesthetics / B. Nature of Art / 2. Art as Form
8115 Only artists can discern significant form; other people must look to art to find it [Bell,C, by Gardner]
23924 Maybe significant form gives us a feeling for ultimate reality [Bell,C]
23931 Significant form is the essence of art, which I believe expresses an emotion about reality [Bell,C]
20434 'Form' is visual relations, and it is 'significant' if it moves us aesthetically; art needs both [Bell,C, by Feagin]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
23934 The only expression art could have is the emotion resulting from pure form [Bell,C]
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
23925 Mere copies of pictures are not significant - unless the copies are very exact [Bell,C]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
23926 Art is distinguished by its aesthetic emotion, which produces appropriate form [Bell,C]
21. Aesthetics / C. Artistic Issues / 6. Value of Art
23935 Aesthetic experience is an exaltation which increases the possibilities of life [Bell,C]
23933 Aesthetic contemplation is the best and most intense mental state [Bell,C]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
22691 Only artistic qualities matter in art, because they also have the highest moral value [Bell,C]
29. Religion / D. Religious Issues / 1. Religious Commitment / a. Religious Belief
23930 Religion sees infinite value in some things, and irrelevance in the rest [Bell,C]