54 ideas
| 10468 | A metaphysics has an ontology (objects) and an ideology (expressed ideas about them) [Oliver] |
| 20388 | 'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S] |
| 10471 | Ockham's Razor has more content if it says believe only in what is causal [Oliver] |
| 20389 | A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S] |
| 20391 | Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S] |
| 10749 | Necessary truths seem to all have the same truth-maker [Oliver] |
| 10750 | Slingshot Argument: seems to prove that all sentences have the same truth-maker [Oliver] |
| 10747 | Accepting properties by ontological commitment tells you very little about them [Oliver] |
| 10748 | Reference is not the only way for a predicate to have ontological commitment [Oliver] |
| 10721 | If properties are sui generis, are they abstract or concrete? [Oliver] |
| 10719 | There are four conditions defining the relations between particulars and properties [Oliver] |
| 10716 | There are just as many properties as the laws require [Oliver] |
| 10720 | We have four options, depending whether particulars and properties are sui generis or constructions [Oliver] |
| 10714 | The expressions with properties as their meanings are predicates and abstract singular terms [Oliver] |
| 10715 | There are five main semantic theories for properties [Oliver] |
| 10739 | The property of redness is the maximal set of the tropes of exactly similar redness [Oliver] |
| 10738 | Tropes are not properties, since they can't be instantiated twice [Oliver] |
| 10740 | The orthodox view does not allow for uninstantiated tropes [Oliver] |
| 10741 | Maybe concrete particulars are mereological wholes of abstract particulars [Oliver] |
| 10742 | Tropes can overlap, and shouldn't be splittable into parts [Oliver] |
| 10472 | 'Structural universals' methane and butane are made of the same universals, carbon and hydrogen [Oliver] |
| 10724 | Located universals are wholly present in many places, and two can be in the same place [Oliver] |
| 10730 | If universals ground similarities, what about uniquely instantiated universals? [Oliver] |
| 7963 | Aristotle's instantiated universals cannot account for properties of abstract objects [Oliver] |
| 7962 | Uninstantiated properties are useful in philosophy [Oliver] |
| 10727 | Uninstantiated universals seem to exist if they themselves have properties [Oliver] |
| 10722 | Instantiation is set-membership [Oliver] |
| 10744 | Nominalism can reject abstractions, or universals, or sets [Oliver] |
| 10726 | Things can't be fusions of universals, because two things could then be one thing [Oliver] |
| 10725 | Abstract sets of universals can't be bundled to make concrete things [Oliver] |
| 10745 | Science is modally committed, to disposition, causation and law [Oliver] |
| 10746 | Conceptual priority is barely intelligible [Oliver] |
| 20387 | Aesthetic experience involves perception, but also imagination and understanding [Davies,S] |
| 20385 | The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S] |
| 20386 | The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S] |
| 20384 | The idea that art forms are linked into a single concept began in the 1740s [Davies,S] |
| 20390 | Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S] |
| 20392 | 'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S] |
| 20405 | Music may be expressive by being 'associated' with other emotional words or events [Davies,S] |
| 20403 | It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S] |
| 20393 | The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S] |
| 20402 | Music is too definite to be put into words (not too indefinite!) [Davies,S] |
| 20395 | The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S] |
| 20396 | We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S] |
| 20399 | Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S] |
| 20401 | The meaning is given by the audience's best guess at the author's intentions [Davies,S] |
| 20397 | If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S] |
| 20398 | Art that is multiply instanced may require at least one instance [Davies,S] |
| 20404 | Music isn't just sad because it makes the listener feel sad [Davies,S] |
| 22704 | Immorality may or may not be an artistic defect [Davies,S] |
| 22705 | If the depiction of evil is glorified, that is an artistic flaw [Davies,S] |
| 22707 | It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S] |
| 22706 | A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S] |
| 7667 | There are two sides to men - the pleasantly social, and the violent and creative [Diderot, by Berlin] |